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We can connect 5 things related to Turnbull, Alexander Horsburgh, 1868-1918 and Carriages and carts to the places on this map.
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Erskine and Whitmore :Photograph album of New Zealand views

Date: [Between 1870s and 1890s]

By: Erskine & Whitmore (Firm); Coxhead & Le Sueur (Firm); Hart, Campbell & Company; Turnbull, Alexander Horsburgh, 1868-1918

Reference: PA1-o-151

Description: Views of New Zealand collected by Invercargill firm Erskine & Whitmore. Scenes taken by various photographers including Hart, Campbell & Co., and Coxhead & Le Sueur. Several views show Queenstown under floods in 1878; others of the Queenstown-Lakes Region, Waitati, Gore and Dunedin in the South Island. In the North Island, one shows a large picnic party travelling in three horse-drawn coaches, stopped at Ngauranga; many show a range of steam locomotives including J Class, K Class, F43, E22, H Class and A Class, in the Upper Hutt area, the Wairarapa, and on the Rimutaka line. Several at the end of the album show the effects of a major slip which blocked the mouth of the Summit Tunnel at the top of the Rimutaka Incline. Source of title - Title supplied by Library Other Titles - Erkine & Whitmore Inscriptions: Album page - `A choice collection of New Zealand views carefully selected from the best artists'. Erskine & Whitmore, Invercargill Quantity: 1 album(s) Album(s). Physical Description: Blue buckram cover, 24.5 x 35.0 cm Provenance: Part of Alexander H Turnbull's collection

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Heaphy, Charles, 1820-1881 :View of Nelson Haven in Tasman's Gulf, New Zealand, includi...

Date: 1841

By: Heaphy, Charles, 1820-1881; Turnbull, Alexander Horsburgh, 1868-1918; New Zealand Company

Reference: C-025-015

Description: View from the first ridge above the beach showing a prefabricated barracks to the left and the tents erected to house the first settlers to Nelson, a well, a flag, and several carts. The view looks from the land towards the Boulder Bank and Haulashore Island, and the Arrow or Fifeshire rock across Tasman Bay to the distant snow-capped Moutere Hills and Tasman Range. The first three immigrant ships, The Will Watch, the Whitby and the Arrow are shown in the harbour with flags flying. There are clumps of trees at the water's edge, but the land is otherwise grassed or with flax and bracken. Original watercolour for the related lithograph "View of Nelson Haven in Tasman's Gulf, New Zealand, including a part of the site of the Town of Nelson" published in 1842. Exhibited in 'Treasures in Trust' exhibition to celebrate 75th anniversary of the Alexander Turnbull Library in 1995. Exhibited: Treasures in Trust. Govett Brewster Art Gallery, New Plymouth 1997, Robert McDougall Art Gallery Christchurch, 1997, Southland Museum and Art Gallery, 1997, total exposure 27 weeks. Inscriptions: Recto - Signature and title Quantity: 1 watercolour(s). Physical Description: Watercolour, 386 x 492 mm on sheet 465 x 587 mm Provenance: Purchased by Alexander Turnbull with other material from the disbanded New Zealand Company in 1915 in London.

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Artist unknown :William Deans and his brother squatted at Riccarton in front of the R[i...

Date: 1843 - 1851

By: Cridland, Henry John, 1821-1867; Burnand, William Henry, active 1843-1850s; Turnbull, Alexander Horsburgh, 1868-1918

Reference: A-195-017

Description: A naive watercolour of the Deans brothers' farmhouse and outbuildings, viewed from across the "Avon or Shakspear River", with horses, cows and sheep in the foreground, a log bridge, a man (presumably one of the Deans brothers) with a dog under a tree. The house is red, with a second storey with dormer window, a rain barrel below the downpipe from the roof. The outbuildings to the right of the house appear to be thatched stables, are open at the front and shelter a horse and three carts. Trees are roughly indicated behind the house. On the verso are holograph notes about Banks' Peninsula, copied from Duppa, Daniels [?] and Tyrell and from Captain [William Mein] Smith about Port Cooper (Lyttelton) and its merits for settlement versus those of Akaroa. Dating: William Deans was drowned in 1851, a fact that is not mentioned here, suggesting, along with the general tone of the notes, that this drawing may have been completed before then, although the two-storied building on the site was not completed until 1856. Other material from the same source was produced about 1850 or 1851. William Mein Smith's report was completed about 1843. The page has been removed from a notebook. The author of the notes (and artist) appears to be somebody associated with the Canterbury Association. The first two-storied house at Deans' property was built in 1856, when Jane Deans built a larger house on the site in preparation for the arrival of her brother and his family. The house shown here may be the 1856 north-east section, the earliest part of modern Riccarton House. Other sections were added in 1874 and 1900, resulting in a much larger building. One possible artist is John Henry Cridland, whose other drawings from the same source are quite naive. However another drawing by him of the Deans' property (neg MNZ 1215 1/4 - 'Riccarton, November 1850' - Hocken Library) is very different in style from this one. Identification: The building shown appears to be a roughly-drawn version of the first two-storied house on the site, completed in 1856. Other drawings of the same building appear as Plate 5 and Plate 14 (the latter by Robert Park) in Pioneers on Port Cooper Plains. The Deans family of Riccarton and Homebush by John Deans (Christchurch, 1964). Inscriptions: Recto - top centre - [title in ink as above, with "only 50 Godley" in pencil in another hand]; Recto - centre right - [in river, in pencil]: Avon or Shakspear River.; Verso - [in ink, page covered in text] Quantity: 1 watercolour(s). Physical Description: Ink and watecolour on laid paper 310 x 198 mm Provenance: Originally tipped in to a volume of The New Zealand Journal, ca 1852, from Alexander Horsburgh Turnbull's collection. Prior to acquisition by Alexander Turnbull the volumes had belonged to W H Burnand.

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[Tempsky, Gustavus Ferdinand von] 1828-1868 :[Encampment of Chute's forces near Te Puta...

Date: 1866

By: Tempsky, Gustavus Ferdinand von, 1828-1868; Turnbull, Alexander Horsburgh, 1868-1918

Reference: A-198-008

Description: Shows Von Tempsky, smoking a pipe and seated by the cartwheel in the foreground, with Dr I. E. Featherston standing behind him. Sergeant Birchfield may be the standing soldier on the left, guarding the group. Seated are Maori guide Te Mahuki and his wife Takeroa (Lucy). There is a horse standing by the cart on the right. There is a billy boiling on a campfire in the centre of the group of figures. The group is in the foreground looking out over an encampment at the right in mid-distance, with troops moving on lower further hills, and in the distance a hilltop fort or pa, with a flag flying. There is a cabbage tree in the left foreground. Exhibited in 'Wide-Eyed: Early Images of New Zealand' exhibition of works by settler artists, held at the National Library of New Zealand Gallery, 18 July - 9 November 1997. Quantity: 1 watercolour(s). Physical Description: Watercolour 254 x 352 mm Provenance: Possibly collection of Alexander Horsburgh Turnbull.

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Strutt, William, 1825-1915 :[On the beach, Onehunga. 1856?]

Date: 1856 - 1866

By: Strutt, William, 1825-1915; Turnbull, Alexander Horsburgh, 1868-1918

Reference: G-637

Description: Bullock cart with Maori bringing canoe ashore. Background is a combination of the shoreline at Onehunga (Auckland) and south of New Plymouth (Taranaki), showing Paritutu volcanic peak and the off-shore Sugar Loaf Islands. Strutt described the group of Maori depicted as being at Onehunga, however. Extract from William Strutt's journal Part II, p. 210 (ed G. Mackaness): "before leaving Onehunga a pretty sight presented itself to us. The morning was lovely and the charming bay and beach were quite animated with a fleet of canoes, just arrived with all sorts of produce for the Auckland market. The picturesque canoes were beached to the lively song of the natives, their contents landed and the tribe gathered together to hear a short speech from a fine old chief, which done, the kits (native baskets) were shouldered, or strapped to the backs of the bearers, with the strong and handy slings, each generally as well carring a huge cum cum or pumpkin, while not a few drove fat pigs tied by one leg to the market." Strutt also labelled a photograph of this painting, many years later as "Maoris beaching their canoes and going off to market at Onehunga near Auckland". - information about photograph label from Heather Curnow, Strutt's biographer, see TL3/1/1 24 July 1974. Chief Librarian's office, 1st floor, National Library building, from June 2006 Other Titles - Maoris beaching their canoes and going off to market at Onehunga near Auckland 1856 Inscriptions: Recto - W. S. (artist's initials) A copy in Taranaki Museum bears the inscription: Puketapu fishing fleet. Quantity: 1 oil(s). Physical Description: Oil on canvas 410 x 830 mm Provenance: Collection of Alexander Turnbull?

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