Places

Date: 1810 - 1793

By: Piron, Jean, active 1791-1794; Warren, Charles Turner, 1762-1823

Reference: A-111-095

Description: Half-length portraits of a Maori man and a woman Trimmed inside plate marks. The original drawing by Piron was of two men, since only men came out to D'Entrecasteau's ship when it visited New Zealand waters in 1793. Later engravers turned the right-hand figure into a woman 2nd state. (The first state, published 1806, lacks the imprint P. Jackson, London). Extended Title - From Cavendish, Pelham. The world, or the present state of the Universe. London, Stratford, 1810. Vol. 1. Derived from engravings by Copia after drawings by Piron on d'Entrecasteaux's voyage in: Labillardiere, J.J. Atlas du voyage. Paris, 1800. Pl. 25. Quantity: 1 b&w art print(s). Physical Description: Print (two ill.); engraving, b&w 167 x 220 mm

Date: 1777 - 1773

By: Hodges, William, 1744-1797; Thomson, John Mansfield, 1926-1999

Reference: C-051-027-b

Description: Head and shoulders portrait of a Maori woman with short straggly hair and a cloak wrapped around her shoulders. After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-740. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990 - 1992. Item 2 in the catalogue. This likeness was taken some time between 18 May and 7 June 1773 while the Resolution was at Ship Cove. Anders Sparrman recorded: "It was in such a buggi-buggi [paki-paki or cloak?] that the New Zealand woman was portrayed by the masterly hand of Mr Hodges, our painter. I must confess, however, that he did not choose the most beautiful model as an example of this country's female physiognomy, for the likeness of younger and fairer women is not so easy to depict, yet neither was this one of the ugliest. Language difficulties at first gave rise to a misunderstanding between the girl and the painter, for she, having been paid well to go down into the saloon, inagined that she ought to give satisfaction in teh way she understood it, as soon as possible in return for our gift; perhaps she had had previous experience with our sailors? She was astonished when signs were made for her to sit on a chair; such a novel way of doing things struck her as absurd, but she promptly volunteered a prone position on the chair for the painter and his companion. To her further surprise she was eventually put in a correct position, just sitting on the chair with nothing to do; whereupon, to the wonderment and entertainment of herself and the two savages with her, she quickly saw her likely, appearing in a red crayon drawing." (Sparrman, 1944, p. 56-57). Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777),Pl. 58 Quantity: 1 b&w art print(s). Physical Description: Engraving, black & white 225 x 178 mm (image), on sheet 325 x 250 mm, stuck to backing sheet. Provenance: From the estate of John Mansfield Thomson, 2000.

Date: 1777 - 1773

By: Hodges, William, 1744-1797

Reference: C-051-027-a

Description: Head and shoulders portrait of a Maori woman with short straggly hair and a cloak wrapped around her shoulders. After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-740. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990 - 1992. Item 2 in the catalogue. This likeness was taken some time between 18 May and 7 June 1773 while the Resolution was at Ship Cove. Anders Sparrman recorded: "It was in such a buggi-buggi [paki-paki or cloak?] that the New Zealand woman was portrayed by the masterly hand of Mr Hodges, our painter. I must confess, however, that he did not choose the most beautiful model as an example of this country's female physiognomy, for the likeness of younger and fairer women is not so easy to depict, yet neither was this one of the ugliest. Language difficulties at first gave rise to a misunderstanding between the girl and the painter, for she, having been paid well to go down into the saloon, imagined that she ought to give satisfaction in the way she understood it, as soon as possible in return for our gift; perhaps she had had previous experience with our sailors? She was astonished when signs were made for her to sit on a chair; such a novel way of doing things struck her as absurd, but she promptly volunteered a prone position on the chair for the painter and his companion. To her further surprise she was eventually put in a correct position, just sitting on the chair with nothing to do; whereupon, to the wonderment and entertainment of herself and the two savages with her, she quickly saw her likeness, appearing in a red crayon drawing." (Sparrman, 1944, p. 56-57). Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777),Pl. 58 Quantity: 1 b&w art print(s). Physical Description: Engraving, black & white 299 x 233 mm

Date: 1769

By: Steele, Louis John, 1842-1918; Watkins, Charles Henry Kennett, 1847-1933; Wilson & Horton (Firm); Auckland weekly news (Newspaper)

Reference: B-077-003

Description: Accompanying text from the "Auckland Weekly News", 20/12/1890, p.10: "The incident of the picture represents Captain Cook's landing at a spot in the Bay of Islands ... The Captain is explaining to the Maori chief the different uses of the bullets and small shot he holds in his hand; that the one is intended to kill men, and that the other is for birds &c.; that he need not be afraid about his brother who was only wounded with the latter by shot from a gun that was fired only to intimidate them &c. The authority for Captain Cook's costume is taken from his own portrait in the Library, and of the seaman at his back from authenticated plates of that period. The reason that the Captain is represented as in full-dress is this: that it was his custom to dress on going on shore in order to impress the natives. The picture is painted by Mr L.J.Steel [sic] and Mr K.Watkin [sic]. Mr Steel painted the figures and Mr Watkin the landscape part." A group of Maori, including a seated woman are to the left of the view, their weapons beside them. Cook and a sailor are standing to the centre and right, with a rowboat with further sailors behind them and the Endeavour moored beyond them. Other Titles - Louis John Steele and Kennett Watkins Extended Title - Supplement to the Auckland Weekly News, Christmas number, 20 December 1890. Quantity: 1 colour art print(s). Physical Description: Chromolithograph 342 x 233, partially covered with glued on mat 430 x 310 mm

Date: 1777 - 1773

By: Hodges, William, 1744-1797

Reference: C-051-027

Description: Head and shoulders portrait of a Maori woman with short straggly hair and a cloak wrapped around her shoulders. After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-740. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990 - 1992. Item 2 in the catalogue.. Edges trimmed within plate marks. This likeness was taken some time between 18 May and 7 June 1773 while the Resolution was at Ship Cove. Anders Sparrman recorded: "It was in such a buggi-buggi [paki-paki or cloak?] that the New Zealand woman was portrayed by the masterly hand of Mr Hodges, our painter. I must confess, however, that he did not choose the most beautiful model as an example of this country's female physiognomy, for the likeness of younger and fairer women is not so easy to depict, yet neither was this one of the ugliest. Language difficulties at first gave rise to a misunderstanding between the girl and the painter, for she, having been paid well to go down into the saloon, imagined that she ought to give satisfaction in the way she understood it, as soon as possible in return for our gift; perhaps she had had previous experience with our sailors? She was astonished when signs were made for her to sit on a chair; such a novel way of doing things struck her as absurd, but she promptly volunteered a prone position on the chair for the painter and his companion. To her further surprise she was eventually put in a correct position, just sitting on the chair with nothing to do; whereupon, to the wonderment and entertainment of herself and the two savages with her, she quickly saw her likeness, appearing in a red crayon drawing." (Sparrman, 1944, p. 56-57). Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777),Pl. 58 Quantity: 1 b&w art print(s). Physical Description: Engraving, black & white 299 x 233 mm

Date: 1777

By: Hodges, William, 1744-1797; Strahan, William, 1715-1785; Cadell, Thomas, 1742-1802

Reference: A-464-019

Description: Head and shoulders portrait of a Maori woman with short hair and a red cloak wrapped around her shoulders. She also wears a red-coloured drop earing, probably meant to be greenstone After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-740. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990-1992; item 2 in the catalogue This likeness was taken some time between 18 May and 7 June 1773 while the Resolution was at Ship Cove. Anders Sparrman recorded: "It was in such a buggi-buggi [paki-paki or cloak?] that the New Zealand woman was portrayed by the masterly hand of Mr Hodges, our painter. I must confess, however, that he did not choose the most beautiful model as an example of this country's female physiognomy, for the likeness of younger and fairer women is not so easy to depict, yet neither was this one of the ugliest. Language difficulties at first gave rise to a misunderstanding between the girl and the painter, for she, having been paid well to go down into the saloon, imagined that she ought to give satisfaction in the way she understood it, as soon as possible in return for our gift; perhaps she had had previous experience with our sailors? She was astonished when signs were made for her to sit on a chair; such a novel way of doing things struck her as absurd, but she promptly volunteered a prone position on the chair for the painter and his companion. To her further surprise she was eventually put in a correct position, just sitting on the chair with nothing to do; whereupon, to the wonderment and entertainment of herself and the two savages with her, she quickly saw her likeness, appearing in a red crayon drawing." (Sparrman, 1944, p. 56-57) Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777), Pl.58 The Library holds other versions of this likeness (a black and white example being at C-051-027) Quantity: 1 colour art print(s). Physical Description: Engraving, hand-coloured, 225 x 175 on laid paper 285 x 190 mm (plate mark)