Places

Date: 1853

From: British Library. Department of Manuscripts :Drawings and sketches illustrative of New Zealand. 1849-1850s. [Additional Manuscript 19954. File prints].

By: Heaphy, Charles, 1820-1881

Reference: E-144-016

Description: View looking across calm waters to several islands and headlands, with one distant statue-like rock named. Four large waka, with and without sails are on the beach below. Inscriptions: Recto - bottom right - Signed: Chas. Heaphy. Title bottom centre in the hand of the artist Quantity: 1 photograph(s). Physical Description: Photograph of pencil drawing, original, 6.3 x 9.9 inches

Date: 1891

By: Heaphy, Charles, 1820-1881

Reference: A-015-012

Description: Shows canoes, some with sails, lying off the coast, with a promontory and the pierced rock island in the left background. ATL also has Crozet's book at NZ & P 910.4 CRO 1891 (English translation by Ling Roth). Extended Title - From J Crozet's "Voyage to Tasmania, New Zealand ... 1771-1772". Plate 1. Quantity: 1 b&w photo-mechanical print(s). Physical Description: Photolithograph b&w 115 x 173 mm

Date: 1769 - 1773

By: Sporing, Herman Diedrich, 1733-1771; Parkinson, Sydney, 1745-1771; Strahan & Company

Reference: B-085-010

Description: Engraving from the official account of Cook's first voyage, based on a drawing of Te Puta o te Paretauhinau Pa at Mercury Bay, Coromandel Peninsula (not Tolaga Bay as claimed in the title). The drawing of the pa is by Herman Diedrich Sporing, Sir Joseph Banks' clerk; the canoe is copied from a drawing by Sydney Parkinson, the official artist aboard the Endeavour. The scene shows a boat from the Endeavour being rowed in the left foreground; a small canoe with five Maori engaged in fishing in the right foreground; an arched rock in the water behind the boats with a pa on top of it; two canoes pulled up on the bank to the right behind the arched rock and dense bush in the background. Exhibitied in 'Drawn From Nature: Europeans Record New Zealand, 1770-1860' exhibition at the National Library Gallery, 31 March to 28 May 1989. Other Titles - Mercury Bay Extended Title - From: Hawkesworth, J. An account of the voyages for making discoveries ... Vol. 2 Plate 18. The pa shown was seen in November 1769. See Joppien & Smith. The art of Captain Cook's voyages, vol 1, cat. no. 1.121 for the original drawing of the pa, and 1.132 for the original drawing of the Maori canoe. Quantity: 1 b&w art print(s). Physical Description: Engraving 238 x 270 mm

Date: 1842 - 1845

From: Brees, Samuel Charles, 1810-1865 :Pictorial Illustrations of New Zealand. London, John Williams and Co., Library of Arts, 141, Strand, 1847.

Reference: B-049-050/052

Description: Views of Wellington between 1842 and 1845. The top view shows Mount Victoria from the area of Courtenay Palace, with Simmonds' and Hoggard's windmill and two other buildings, a track in the foreground, and a cleared area and one house on the slopes of the hill. The central view shows a Maori man looking through a rock archway, with timber bracing at the top, the sea beyond. The view is close to Pukerua Bay. The lowest view shows a canoe in the foreground and the palidsades of Paremata Pa on the shores of the Paremata inlet, with a European house in the background Other Titles - Paremata, Porirua Other Titles - Paripari Quantity: 1 b&w art print(s). Physical Description: Engravings on sheet 365 x 261

Date: 1769 - 1773

By: Sporing, Herman Diedrich, 1733-1771; Parkinson, Sydney, 1745-1771; Wilson, Irene, active 1923-1974

Reference: A-111-012

Description: Engraving from Cook's first voyage, based on a drawing of Te Puta o te Paretauhinau Pa at Mercury Bay, Coromandel Peninsula (not Tolaga Bay as claimed in the title). The drawing of the pa is by Herman Diedrich Sporing, Sir Joseph Banks' clerk; the canoe is copied from a drawing by Sydney Parkinson, the official artist aboard the Endeavour. The scene shows a small canoe with five Maori engaged in fishing in the right foreground; an arched rock in the water behind the boats with a pa on top of it; two canoes pulled up on the bank to the right behind the arched rock and dense bush in the background. In the distance on the left is a canoe with a lateen sail. Derived from the engraving in John Hawkesworth, Voyages, Vol. 2, pl. 18 (London, 1773). The pa shown was seen in November 1769. See Joppien & Smith. The art of Captain Cook's voyages, vol 1, cat. no. 1.121 for the original drawing of the pa, and 1.132 for the original drawing of the Maori canoe. Other Titles - Mercury Bay, Pa Extended Title - From: Pinkerton, John. A general collection of voyages and travels in all parts of the world... Vol. 11, p. 529. London, Longman Hurst Rees, Orme & Browne, 1812. Quantity: 1 b&w art print(s). Physical Description: Engraving 132 x 198 mm (image) on sheet 204 x 267 mm

Date: 1845 - 1847

By: Williams, John, -1905?

Reference: A-079-019

Description: View framed by layered rocks rising on both sides, looking west along the Auckland foreshore, with ships and boats in the harbour and the city visible in the distance on a headland, with the spire of the Cathedral and houses. A man and a boy are seated on the rocks in the foreground Inscriptions: Recto - beneath image - title in ink Quantity: 1 watercolour(s). Physical Description: Pencil and conte crayon, 252 x 365 mm Transfers: According to back of file print, 'Removed from Bridge/Williams joint sketchbook' (i.e. E-320-f).

Date: 1769 - 1810 - 1830

By: Sporing, Herman Diedrich, 1733-1771; Parkinson, Sydney, 1745-1771; Castellini, G, active 1780-1800; Hill, Julian, active 1996-2009

Reference: A-054-011

Description: Aquatint based on a drawing of Te Puta o te Paretauhinau Pa at Mercury Bay, Coromandel Peninsula. The drawing of the pa is by Herman Diedrich Sporing, Sir Joseph Banks' clerk; the canoe is copied from a drawing by Sydney Parkinson, the official artist aboard the Endeavour. The scene shows a long war canoe in the left foreground; an arched rock in the water behind the boat with a pa on top of it; two canoes pulled up on the bank to the right behind the arched rock and dense bush in the background. From an unknown Italian publication. One of the engravers of this publication was Biasioli (1790-1830). The pa shown was seen in November 1769. See Joppien & Smith. The art of Captain Cook's voyages, vol 1, cat. no. 1.121 for the original drawing of the pa, and 1.142 for the original drawing of the Maori canoe. Inscriptions: Recto - bottom left - G Castellini inc Quantity: 1 colour art print(s). Physical Description: Handcoloured aquatint, plate 190 x 230 mm on loose page, 240 x 340 mm. Provenance: Purchased by the vendor from a dealer in Washington DC.

Date: 1846

By: Fox, William, 1812-1893; Turnbull, Alexander Horsburgh, 1868-1918; New Zealand Company

Reference: C-013-007

Description: In the left foreground is a group of Maori and with two canoes on a beach with golden sands, possibly near the mouth of a stream. To the right is an arched rock and another unusual rock formation, with two women gathering shells. Bush-clad hills behind to the right and sea and the distant hills of Nelson to the left. Other Titles - Kaiteriteri Golden Bay Inscriptions: Recto - top centre - title in pencil; Verso - May be numbered 220, New Zealand Company number In 1846, Fox was the New Zealand Company Agent in Nelson Quantity: 1 watercolour(s). Physical Description: Watercolour 510 x 1270 mm Provenance: Purchased by Alexander Turnbull as part of the New Zealand Company collection in London in 1915.

Date: 1769 - 1773

By: Sporing, Herman Diedrich, 1733-1771; Parkinson, Sydney, 1745-1771; Strahan & Company

Reference: B-098-012

Description: Engraving from the official account of Cook's first voyage, based on a drawing of Te Puta o te Paretauhinau Pa at Mercury Bay, Coromandel Peninsula (not Tolaga Bay as claimed in the title). The drawing of the pa is by Herman Diedrich Sporing, Sir Joseph Banks' clerk; the canoe is copied from a drawing by Sydney Parkinson, the official artist aboard the Endeavour. The scene shows a boat from the Endeavour being rowed in the left foreground; a small canoe with five Maori engaged in fishing in the right foreground; an arched rock in the water behind the boats with a pa on top of it; two canoes pulled up on the bank to the right behind the arched rock and dense bush in the background. The pa shown was seen in November 1769. See Joppien & Smith. The art of Captain Cook's voyages, vol 1, cat. no. 1.121 for the original drawing of the pa, and 1.132 for the original drawing of the Maori canoe. Other Titles - Mercury Bay Extended Title - From: Hawkesworth, J. An account of the voyages for making discoveries ... Vol. 2 Plate 18. Quantity: 1 colour art print(s). Physical Description: Engraving, hand-coloured 238 x 270 mm

Date: 1846 - 1859

From: Gold, Charles Emilius 1809-1871 :Sketches by General Gold, 1846 to 1860

By: Gold, Charles Emilius, 1809-1871

Reference: A-288-022

Description: Shows large rock in centre foreground, with the water of the harbour behind, and a canoe in the left background, either on Wellington's south coast, or more probably on the east coast of the Miramar Peninsula, with Seatoun in the background. Quantity: 1 watercolour(s). Physical Description: Watercolour, 178 x 246 mm. Provenance: Family descent, to London dealer (1991) to Auckland dealer (1991)

Date: 1844 - 1921

By: Messenger, Arthur Herbert, 1877-1962; Barnicoat, John Wallis, 1814-1905; Cowan, James, 1870-1943

Reference: A-173-015

Description: View at Taupo Point, just south of Separation Point, Golden Bay, showing Taupo Pa with palisades and buildings and a bush-clad knoll beyond, the sea and several inshore islands. Depending upon the extent of Messenger's knowledge, the boat anchored off the beach is probably a Deal boat, and the mizzen was a "standing lug". The foresail was a "dipping lug" (see note below, and letter from Pat W Win, AT 13/14/1, 24 December 1999) A copy of John Wallis Barnicoat's eye-witness drawing "Taupo, Massacre Bay, March 1844", negative 11570 1/2. The original drawing is in a private collection but the Library has a photograph. Probably drawn for James Cowan's The New Zealand Wars, but not used. Two Deal boats and six Deal boat men were brought to New Zealand by the Nelson Preliminary Expedition which entered Nelson Haven in November 1841. One of the boat men was James Smith Cross who became Nelson's second harbourmaster. (See letter from Pat W Win, AT 13/14/1, 24 December 1999). Other Titles - Taupo Pa, Golden Bay Quantity: 1 drawing(s). Physical Description: Ink 114 x 256 mm

Date: 1847

By: Gold, Charles Emilius, 1809-1871

Reference: B-103-019

Description: Shows a group of Maori in a canoe in the left foreground, near the high arched island in the Bay of Islands. One Maori is standing, wearing red clothing. Title indicates that the artist may have been aboard the HMS "Driver" at the time. Inscriptions: Title inscribed on lower edge of painting Quantity: 1 watercolour(s). Physical Description: Watercolour, 130 x 215 mm

Date: 1769 - 1780 - 1773 - 1790

From: Artist unknown :Views in the South Seas [1769-1779. Drawn 1780s?]

Reference: E-329-f-006

Description: Copy of an engraving published in John Hawkesworth (1773, II, Plate 18)) after Spoering 'A fortified town or village...' from Captain James Cook's first voyage to New Zealand in 1769. Shows a Te Puta o te Paretauhinu Pa atop a pierced rock at Mercury Bay, with two canoes in front, two further empty canoes pulled up on rocks to the right, and the Endeavour at anchor to the left. Verso shows handwritten text in Dutch (translation of this text in accompanying typescript). There is some variation in the details between this and the engraved version. The scene is at Mercury Bay, not Tolaga Bay Other Titles - A view of a fortified village built on a pierced rock in New Zealand [translation]. A fortified town or village called a hippah, built on a perforated rock at Tolaga in New Zealand. Mercury Bay Inscriptions: Recto - beneath image - title in ink. Also verso covered in text in Dutch describing the scene Quantity: 1 watercolour(s). Physical Description: Watercolour and holograph in album 272 x 430 mm

Date: 1867

By: Heaphy, Charles, 1820-1881

Reference: B-043-022

Description: Shows two Maori canoes, one with sails, pulling in to beach, with detailed drawing of cliff and vegetation in right background. Inscriptions: Recto - beneath image - C.Heaphy. See overleaf. C.Heaphy. Verso - top of page: Sketch of North West cliff Brown's Island, Thames. The beds slightly inclined to the left are of basaltic ash, and the cliff appears to be a section of the outer or ring crater. The beds above, inclining to the right [left crossed out] seem to be the remains of strata formerly lying on those first described, but which had slid towards the point of irruption on a collapse taking place. The sea has breached the whole northern coast of the island. C.H. 2/12/67. Quantity: 1 drawing(s). Physical Description: Sepia ink on paper 254 x 355 mm

Date: 1849

By: Gold, Charles Emilius, 1809-1871

Reference: B-103-034

Description: A moonlit or early evening view showing a rocky headland with an arched rock, and a Maori canoe with a sail in the left foreground Inscriptions: Recto - bottom right - Pt. Underwood N.Z. Quantity: 1 watercolour(s). Physical Description: Watercolour 155 x 260 mm

Date: 1825 - 1835

Reference: A-259-037

Description: A pastiche, or composite picture. Shows (contrary to the title information) a Maori man, woman and naked child in the foreground. The woman wears only a loincloth, and carries a bowl on her head, steadying it with her left hand. She has some sparse tattooing on her chest. She resembles portraits of female figures from the Caroline Islands as drawn by Lejeune and Chazal. The Maori man wears a full-length cloak and tunic, holds a ritual adze, and has a mere suspended from his belt. He wears the moko and his hair is in the style drawn by Lejeune for profile portraits of Maori men. In the left background is the arched rock of Mercury Bay as drawn originally by Sydney Parkinson. The child, resembling a romping putto, is seen from the rear. In the right background behind the woman, a group of figures stand in a canoe which is modelled on Lejeune and Chazal's engraving ["Pirogue des habitants de la Nouvelle-Zelande"], Plate 45 in Duperrey's "Voyage autout du monde sur la corvette La Coquille ..." (Paris, 1826). Presumably disbound from a French popular publication about South Sea voyages, of the same type as Domeny de Rienzi's "Oceanie" (1835-36). Other Titles - Women of New Zealand Inscriptions: Recto - beneath image - [Title] Quantity: 1 b&w art print(s). Physical Description: Engraving, 99 x 155 mm, on sheet.

Date: 1858 - 1864 - 1860

By: Heaphy, Charles, 1820-1881; Grefe, Konrad, 1823-1917

Reference: B-187-012

Description: Shows the volcanic rock formations at Mercury Bay, with two sailing ships in the bay and two waka at the water's edge. Tree ferns feature prominently in the foreground A similar view by Heaphy in pencil and sepia ('Moturoa basaltic rock. Mercury Island. No.8' [1850s?]), privately owned Although the item states 'zu Seite 89' (opposite p.89), it is in fact opposite p.80 in the published work Other Titles - Motu roa, Mercury Bay, North Island (column-shaped trachyte) Extended Title - Published in: Hochstetter, Ferdinand von. Reise der osterreichischen Fregatte Novara um die Erde in den Jahren 1857, 1858, 1859 unter den Befehlen des Commodore B. von Wullerstorf-Urbair. Geologischer Theil. Erster Band. Erste Abtheilung: Geologie von Neu-Seeland. Wien. Aus der kaiserlich-koniglichen Hof-und Staatsdruckerei, 1864 Quantity: 1 colour art print(s). Physical Description: Lithograph, hand-coloured, 205 x 253 mm (sight)

Date: 1845

By: Bell, Francis Dillon (Sir), 1822-1898

Reference: C-173-002

Description: Shows a lone gravestone with a small gated surround, high atop a hill above Nelson, with the Boulder Bank in view below. The gravestone is inscribed 'Sacred to the memory of Henry A Bell, aged 19'. Arrow (Fifeshire) Rock is set just out of view of the painting, to the lower left. Various ships and boats can be seen in the Nelson Haven area of Tasman Bay, between the Boulder Bank and the coast. One of the boats is a waka with two sails Bell's brother Henry (called by his middle name, Angelo), went to Nelson about 1841 as secretary to Arthur Wakefield. He died of typhoid within a year of arriving. Like Angelo, Francis was usually called by his middle name, Dillon Quantity: 1 watercolour(s). Physical Description: Watercolour on paper, 235 x 315 mm Provenance: Previously purchased from a Parisian dealer, and surfacing at a a French provincial auction. Possibly originally part of the collection of Francis Dillon Bell. Transfers: The Library owns several other works from the same provenance, by William Fox and Charles Heaphy purchased 2006 and 2014 (Reference numbers C-025-025, C-013-007, C-173-001 and A-465-015).