Places

Date: between 1934 and 1935

Reference: PAColl-6619

Description: 46 images of the Duke of Gloucester's tour of New Zealand in 1934-5 including: nine of his visit to Rotorua including Maori kapa haka; one of veterans at the bridge of remembrance in Christchurch; one of him opening Tekapo bridge and another of the party at Tekapo House hotel; one of him in a crowd outside the railway station in Hokitika; one of him inspecting a parade of nurses; one of him visiting a traditional whare; two of him as a jockey at a race meeting; three of the felling of a kauri tree; seven of his stay at Longbeach sheep station, Ashburton County; and two of him at the Waitangi memorial. Photographer unidentified but possibly Hall Raine. Arrangement: Negatives housed at 1/4-019066 to 019078, 019082 to 019107, 019111, 019113, and 059505 to 059509 Quantity: 46 b&w original negative(s). Physical Description: Glass negatives

Date: 2005

By: Auckland City Art Gallery; National Library Gallery (N.Z.)

Reference: Eph-H-PHOTO-EXHIBITION-2005-01

Description: Shows a photograph by Ans Westra, of a group of Maori, entitled "Waiwhetu Marae, September 1960". Quantity: 1 colour photo-mechanical print(s) on poster. Physical Description: Photolithograph and relief print on poster, 1420 x 1020 mm.

Date: 2001

By: Tremain, Garrick, 1941-; Otago daily times (Newspaper)

Reference: H-661-001/061

Description: Cartoons on New Zealand and international political and social issues. Quantity: 61 photocopy/ies. Physical Description: Photocopies A4 size

Date: 1909

By: Auckland weekly news (Newspaper)

Reference: C-065-002

Description: A view in an orchard This picture was awarded the 1st prize in the Farm or Station Class for the `Auckland Weekly News' eleventh photographic competition. Extended Title - Supplement to: The Auckland Weekly News special Christmas Number, 1909 Quantity: 1 b&w photo-mechanical print(s). Physical Description: Photolithograph, 387 x 575 mm

Date: ca 1930s

By: Harringtons (Firm)

Reference: PAColl-2961

Description: Three men and a boy next to abandoned mining machinery in the Rimutaka mountains. One of the men has a box Brownie camera at his feet and the carry case round his neck. Photographer unidentified. Quantity: 1 b&w original photographic print(s).

Date: 1921

From: Manawatu and West Coast Agricultural and Pastoral Association :Grand Metropolitan Show and Industrial Exhibition. Catalogue [Palmerston North. 1885?-

By: Manawatu and West Coast Agricultural and Pastoral Association; Blundell Brothers Ltd

Reference: Eph-A-SHOW-Manawatu-1921-01

Description: A show timetable, list of judges, cups and trophies, and entries for competitions, including: horse cattle and sheep competitions, pigs, art and fancy needlework, photography, home industries, art and technical and public schools, soldiers' exhibits, dogs. Most of the soldiers exhibiting were from the Evelyn Firth Home in Auckland. This was a home for the rehabilitation of returned servicemen. Quantity: 1 booklet. Physical Description: Booklet of 178 pages, 220 x 140 mm.

Date: [1890s-1910s?]

By: Quartermain, Leslie Bowden, 1895-1973

Reference: PA1-q-190

Description: Photographs relating to the Quartermain family, none of which have captions. None of the people or places are named. Of interest are a number of views of the ruins of a house, with only the chimneys standing; several of the new St John's Church, Hororata, including laying the foundations, building construction, and the completed church with lychgate; one of the tombstones of Sir John Hall, and his wife, with the new St John's Church partially visible in the background (for which Sir John Hall bequeathed the money); and one photograph of a steam tractor fording a river with difficulty, with a tow-rope leading to three laden wagons on the far side of the river. A number of photographs show Leslie Bowden Quartermain as a boy, and as a young man Quantity: 1 album(s) Album(s). Physical Description: Album with mid-blue cover, entitled "Sunny memories"; 32 x 28 cm

Date: 1864

From: Illustrated London News :[Scrapbook of clippings relating to New Zealand 1860s]

By: Illustrated London news (Newspaper)

Reference: E-372-f-037

Description: Page 216 from the Illustrated London news with three sketches by an unidentified artist. 1. Rangariri from the Waikato shows a tent camp on hills above the Waikato River. There is a large wooden building on the far right near the river bank. 2. A few Maori prisoners being guarded by a large number of soldiers from the 40th Regiment as they wait to be taken by rowboat to the HMS Pioneer anchored nearby. 3. Soldiers inspecting the Maori rifle pits at Rangariri. In the foreground is a camera. Quantity: 1 b&w art print(s). Physical Description: Wood engravings, 370 x 250 mm

Date: 1954

From: [Sales catalogues and ephemera of octavo size concerning photographic equipment, cameras, darkroom supplies]

By: Cameracraft Photographic Supplies

Reference: Eph-A-PHOTO-EQUIPMENT-1954-01

Description: Sales catalogue with advertisements by H E Perry Limited. There are photographic illustrations of the following brands of camera: "Gloriette", "Norca", "Paxina", "Kinax", Linhof, Vredeborch Box Camera, "Robot", photographic developing studio supplies of all kinds, films and papers. Quantity: 1 album(s) Album(s). Physical Description: Booklet of 40 pages, each 218 x 142 mm. Provenance: Purchased in 2006

Date: [Circa 1913]

From: MacLeod, Rosemary :Portraits taken by Chas Campbell, Invercargill ; albums entitled "Photograms 1913", by C A Campbell, and "family photographs"

Reference: PA1-o-317

Description: Album of family snapshots, with a number of group portraits, mostly unidentified. The only identification is of one group picnicking on Stewart Island, a woman bending over photographs in a darkroom, a St John's Choir, a house in Wade Street, two women in the Lower Hutt Garden, and a group of four people outside a brick and shingle house in Luton, England. Quantity: 1 album(s) Album(s). Physical Description: Album with grey cover, black suede spine, entitled `Photographs'; 13 x 17 cm

Date: 1935

From: [Catalogues and brochures of quarto size for photographic exhibitions. 1930-1979]

By: Orient Steam Navigation Company Ltd

Reference: Eph-B-PHOTO-EXHIBITION-1935-01

Description: Catalogue lists 96 photographs and an additional 13 "long-distance" photographs using the infra-red process. The photographs are mainly of British scenes, with some from other European countries. Quantity: 1 album(s) Album(s). 1 pamphlet. Physical Description: Booklet of 8 pages, 215 x 140 mm, plus pamphlet folded to 255 x 129 mm.

Date: 1996

By: Open Learning Centre; Bayly, Janet, 1955-

Reference: Eph-E-WOMEN-1996-01

Description: Poster promoting a photography exhibition shows numerous small inset photographs of women, and in central position, words contributed by Nga Rongonui. Two copies held. Quantity: 1 colour photo-mechanical print(s) on poster. Physical Description: Photolithograph on poster, 650 x 905 mm.

Date: 1908 - 1994

By: Rotorua Museum; Cutler, Alfred, 1840?-1912

Reference: Eph-E-PHOTO-EXHIBITION-1994-01

Description: Shows a reproduction of Alfred Cutler's photograph, "The scene in the Government Gardens Rotorua, on the occasion of the opening of the Bath-House, 13 August 1908". Quantity: 1 b&w photo-mechanical print(s) on poster. Physical Description: Photolithograph, 259 x 880 mm.

Date: 1927 - 1991

By: Auckland City Art Gallery

Reference: Eph-E-BUILDINGS-Auckland-1991-01

Description: Poster in panoramic format showing a detail of Henry Winckelmann's "Auckland from the bell-tower of St Matthew's Church, 7 February 1927" (item number 51 in the exhibition) Two copies held. Quantity: 1 colour photo-mechanical print(s). Physical Description: Photolithograph, 275 x 990 mm.

Date: 1961 - 1972

By: Dunedin Photographic Society

Reference: Eph-A-PHOTO-DP-1960/1979

Description: Syllabuses or annual schedules or programmes for the years 1961, 1962, 1964, 1965, 1966, 1969, 1970, 1971, 1972. Also includes: 75th anniversary dinner. University Union Hall, Castle Street Dunedin, 23 June 1965. [Menu / toast list] Quantity: 10 b&w photo-mechanical print(s). Physical Description: Photolithographs on folded programmes, sizes around 155 x 85 mm. Provenance: Some items donated by Massey University Wellington Campus in 2015.

Date: 1945 - 1979

Reference: Eph-A-PHOTO-Hallam

Description: Photograph wallets used to house processed photographs: Kodak Prints [1950s?] C F Newham & Co. Ltd, 188 Trinity Bldgs, Avenu Wanganui. Selo roll film & print wallet [1937?] Richards' Studios for all your photographic needs. 41A Victoria Avenue Wanganui; 310 Broadway, Marton [1950s?] Richards Studios Ltd. 59 Victoria Ave Wanganui [1960-1970s] H C Stimpson, chemist, 160 Somme Parade, Aramoho, Wanganui. Jayco wallet [1960s?] Baycolor [1970s?] Date of C F Newham's "Selo" wallet dated around 1937 (See information retrieved 2 April 2015 from http://www.photomemorabilia.co.uk/Ilford/Chronology.html ) Quantity: 5 colour photo-mechanical print(s). 1 b&w photo-mechanical print(s). Physical Description: Offset prints on photographic wallets, sizes varying Provenance: Donated by Shirley Cormack in 2015. Transfers: From Photographic Archive - PA-Group-00634 - Collection received in Ephemera. One item transferred on appraisal to Published: "Twelve views of Cambridge the beautiful"; one item to Published to offer to WN: Wanganui Intermediate School jubilee 1983; some material to PA: photo of Tommy Sterling (disposed), Cambridge Real photos (disposed), and loose photos of Hawkes Bay (disposed), Bluff Hall after earthquake, and the ship Hydrabad. Australian items not kept.

Date: 4, 7 Dec 2007 - 04 Dec 2007 - 07 Dec 2007

From: Studio La Gonda - a large format legacy oral history project

By: Adams, Mark Bentley, 1949-

Reference: OHInt-1002-01

Description: Interview with Mark Adams, born in Linwood in 1949. Talks about his family background and both his father and grandfather being photographers. Reminisces on growing up in the beach suburb of Brighton, disliking school, and his high school art teacher Digby Graham who "saved his life". Comments on attending Ilam art school (University of Canterbury) where his teachers included Tom Taylor, Don Peebles, Doris Lusk and Eileen Mayo, and deciding he wanted to do photography. Mentions the pop culture, art scene, drug use and counter culture in Christchurch at the time. Describes his first cameras, a box brownie (1966-1968) and then a Kodak Retina. Refers to using a 35mm Pentax at university, as well as a 4x5 inch Linhof plate camera from 1968. Mentions going to Sydney in 1973 and buying his own 4x5 Linhof camera, Schneier lens and Kinderman 4/5 enlarger. Comments on meeting Theo Schoon in Sydney. Talks about moving to Northland in late 1974 and photographing Kaipara sites that were clearly cross cultural. Refers to starting photographing at Waitangi in 1980 and participating in land marches. Talks about moving to Auckland in 1978, being asked to photograph a man with Samoan tattooing, and finding it a "key moment" in his development. Discusses his work photographing Samoan tattooing and tattoo artist Paulo Suluape at work, and using the images in an exhibition and book. Refers to other projects he worked on including Northland 1977-1978, Ngai Tahu histories starting 1978 and Rotorua photographs starting 1979. Recalls his first solo exhibition at the Real Pictures Gallery in 1982. Comments that the Real Pictures studio was a model for Studio La Gonda as a resource base for photographers. Discusses setting up the business Sharp Black & White in September 1982, people involved, and its work. Talks about financial support mechanisms, the ethics of representation and sale of images. Describes Studio La Gonda (SLG), division of labour at the studio, his working methodology, and social life at SLG. Talks about photographers who used the studio including John Miller, Fiona Pardington, Davina Monds and Greg Semu. Explains his approach to teaching art and photography and his passion for large format photography. Describes the physical challenges of working with large format photography, the way the view camera works and his own self taught approach. Comments on the importance of scale with the process of enlargement. Details equipment used at SLG and describes it as "a museum of analogue". Speculates on digital photography and the future of the photographic industry. Lists influences on his work, particularly Ansel Adams, and mentions the Burton Brothers and George Valentine. Interviewer(s) - Hanna Scott Accompanying material - List of selected solo exhibitions by Mark Adams and selected bibliography (3 p.) Arrangement: Tape numbers - OHC-023021 - OHC-023024 Quantity: 4 C60 cassette(s). 1 printed abstract(s). 1 interview(s). 4 Hours Duration. Finding Aids: Abstract Available - abstracting complete OHA-7505. Transfers: To Photographic Archive - four large format photographic negatives. Photograph of Mark Adams in his studio? (photographer Haruhiko Sameshima; 2007 or 2008) Search dates: 1949 - 2007

Date: 2015

By: Rizos, Lucien, 1953-; Anna Miles Gallery

Reference: Eph-B-PHOTO-EXHIBITION-2015-01

Description: Poster / pamphlet for a photographic exhibition gives biographical notes about Lucien Rizos, and shows strips of black and white street photography and individual coloured photographs. Quantity: 4 Other printed ephemera item(s). Physical Description: Offset prints on both sides of sheet 595 x 420 mm, folded to 297 x 210 mm.

Date: 2 Nov 1998 - 5 Nov 1998

By: Foster, Susan E, 1946-; Webb, Margaret, 1914-2001

Reference: OHColl-0552-1

Description: Margaret Webb was born in Christchurch in 1914, the daughter of photographer Steffano Webb and Beatrice Webb (nee Buss). Describes her mother as very musical. Talks about her father's photographic studio and the nature of his photography which included portraits, wedding, debutante and school photos. Describes his huge camera. Recalls attending St. Margaret's College and Rangi Ruru. Describes social events where she was usually chaperoned. Talks about her decision to become a nurse, her desire to travel and her nursing training. Recalls going to Sydney on the `Wanganella' in May 1939 and then on to London on the `Ormond'. Notes that she travelled with her architect friend Margaret Munro. Describes her impressions of London and first nursing job at Kensington. Recalls concerns about the likelihood of war, its outbreak and the change in London. Describes signing up for Queen Alexandra's nursing service, being called up immediately, going to Aldershot and then France. Describes her feelings about this, loneliness, discomfort and fever from injections. Recalls being lectured on running a ward, setting it up and nursing for some months before action. Describes air raid warnings and being shifted to a tented hospital just before their station and hospital ship were bombed. Talks about refugees everywhere, going to another hospital, wearing tin hats and gas masks and tracer bullets while going down to the wharf and leaving France. Mentions arriving in Liverpool and some brief leave before being called up again and going on the troopship `Empress of Canada' which carried Scottish soldiers. Describes sailing to Egypt and going to the Sudan. Discusses wearing a white uniform and topee in incredible heat and going across the desert in army trucks. Notes that this was the Eritrean campaign and her hospital was the 32nd General Hospital. Recalls the hero of the campaign was Brigadier Slim who became a patient. Describes the social life in Khartoum including dancing on the banks of the Nile. Recalls British ships coming up the Nile carrying tanks and the arrival of General Montgomery. Describes being posted to Palestine, Gaza and then the hospital ship `Oranje' to South Africa. Talks about being posted to No. 1 General Hospital on the Nile, returning to England as a theatre nurse in Dorset, and being en route to a new posting in Lahore on VE Day. Notes that she had become a Captain. Recalls being posted to Assam and then Gauhati for the rest of the war and treating emaciated soldiers from the Burma Road. Comments on leave while nursing and lifelong friends made as a result of the war. Recalls returning to New Zealand in 1946 and the difficulties of settling down. Describes working in the plastics unit at Burwood. Mentions Dr. Manchester. Talks about studying maternity nursing and going to Gisborne before doing Plunket training in Dunedin and nursing in Ashburton and Christchurch. Interviewer(s) - Susan Foster Quantity: 4 C60 cassette(s). 1 interview(s). Finding Aids: Abstract Available - abstracting complete OHA-2492.

Date: 8 Oct 1993 - 08 Oct 1993

From: Memories of the Kaipara oral history project : Part one

By: Eteveneaux, Vearl Verona, 1918-2004

Reference: OHInt-0430/05

Description: Vearl Eteveneaux was born in 1918. Her mother's parents, Mr and Mrs Robert Russell, arrived in New Zealand in 1874 and her mother was born in Lawrence. Describes how the family moved to Dunedin where her mother married her father, Ted Harper. Describes how she was born in the middle of the 1918 flu epidemic. Recalls the family's moves to Dannevirke then Gisborne where her father bought a garage. Mentions Robert Kerridge's service car business. Describes attending Gisborne Primary School and getting two years at high school by achieving proficiency. Recalls staying with her mother, who had bad health, until she was married. Describes how her husband Miles Eteveneaux arrived in Gisborne with the Air Force. Talks about his family living in Akaroa then moving to Dipton. Mentions that Miles Eteveneaux showed films round rural halls from the back of a Dodge truck. Describes how he got a scholarship to an electrical college in Chicago where he learnt the functions of studio work. Describes how he operated picture theatres with John Angus, who was killed in the war, and showed movies to the troops in Fiji. Describes how he became an aircraft electrician. Recalls their marriage in 1944 and living in Gisborne where they operated three small country cinemas. Mentions their theatre in Manatuki. Describes buying a run-down Kerridge theatre in Helensville and building it up. Gives her first impressions of Helensville. Recalls how her husband did photography and camera work for British Paramount News. Mentions the 1966 publication `Centre of opportunity'. Describes being very busy helping at the theatre and bringing up children. Mentions her husband's death in 1991 and an accident which broke her legs. Interviewer(s) - Gabrielle Hildreth Quantity: 1 C60 cassette(s). 1 printed abstract(s). 1 interview(s). Finding Aids: Abstract Available - abstracting complete OHA-3327.