Places

Date: 1864

By: Warre, Henry James, 1819-1898; Hogg, Neville William (Dr), 1927-2007; Lawford, John E, active 1980-1991

Reference: C-126-005

Description: Shows harbour scene form Commercial Bay looking towards the North Shore and Rangitoto Island. The prison hulk Marion is to the right of a sailing ship on the harbour and there are houses in the foreground, with the house on the left marked as belonging to Mr Jones, probably Mr Humphrey Jones Attribution on stylistic grounds. Sails on ships were painted in by John Lawford, Auckland art dealer, before he sold the painting to Dr Hogg. He based his work on the sailing ship in Charles Heaphy's watercolour "Bream Head", owned by the Library.. Inscriptions: Mat recto - beneath image - Auckland harbour Commercial Bay (Beach Rd) 1864; Recto - bottom left - Auckland harbour Oct 64; Recto - bottom centre - Mr Jones' house; Recto - bottom centre - Hulk with Maori prisoners taken at Rangiriri Quantity: 1 watercolour(s). Physical Description: Pencil and watercolour 239 x 485 mm (sight) Provenance: Purchased by Neville Hogg from John Lawford, Auckland art dealer, 1980s?

Date: 1843 - 1844

From: [Various artists] :[Mrs Hobson's album. 1843-1845]

By: Mitford, John Guise, 1822-1854

Reference: E-216-f-035

Description: A clay road curving between low hills, with flax bushes in the foreground. Six houses visible on the foreshore in the middle ground. Mount Victoria (with a flagpole or signalling pole) and North Head across the water and Rangitoto Island in the middle distance. Two ships in the harbour. The early road towards Epsom passed from Shortland Crescent, via Grafton Gully, the Government Domain and on towards Epsom Inscriptions: Album page - beneath image - title in ink; also on verso, alternative title in ink: Rangitoto, Mount Victoria and North Head from the Epsom Road, Auckland. Quantity: 1 watercolour(s). Physical Description: Watercolour, 165 x 313 mm

Date: 1843 - 1844

By: Ashworth, Edward, 1814-1896; Hobson, Eliza Ann, 1811?-1876

Reference: A-275-007

Description: Auckland City from the hills behind the city, with a flax bush to the right and three Maori viewing the scene from the fern on the left. A stream in the middle ground (now the site of Queen Street) leads down to the town with Government House shown in the fenced area in the centre right and St Paul's Church silhouetted against Mt Victoria across the harbour. The cluster of buildings closest to the viewer at the lowest point in the valley is the Queen Street gaol, excavated in 1987 (see TL13/14/1 8/3/91). Rangitoto is shown in the background and there are several ships in the harbour. The scene is shown at sunset. Exhibited at 'The world was all before me; journals and watercolours of Edward Ashworth from the collections of Alexander Turnbull Library', Curator was Jill Trevelyan. The exhibition title is taken from Ashworth's journal where he misquotes from John Milton's poem "Paradise Lost": "The world was all before me / where to choose my place of rest". At the National Library Gallery, 27 April - 29 July 2001. A preliminary pencil drawing for this watercolour is held at A-208-018. The title of the watercolour is taken from the title of the pencil drawing, which shows St Paul's without its tower, although a tentative tower is lightly sketched in. The drawing would be likely to have been executed during 1843 and no later than January 1844, when Ashworth departed New Zealand for Hong Kong. The watercolour may have been completed while Ashworth was in New Zealand, with the putative tower added; or he may have worked from his pencil sketch at a slightly later date. Several of the sketches in the Hobson album were completed after Mrs Hobson left New Zealand in 1843. Quantity: 1 watercolour(s). Physical Description: Pencil and watercolour 242 x 365 mm Provenance: The album was passed by Eliza Hobson to her daughter, Eliza, Lady Rendel. Transfers: Originally part of Mrs Hobson's album (E-216-f).. Processing information: One of several pages removed from the Hobson album for conservation reasons, 1990. This page was too large for the album and was becoming damaged around the edges. It was formerly located on p. 107 of the album.