Places

Date: 8 October 1906

By: Hadfield, Henry Barry Gray, 1925-2012

Reference: PAColl-5239

Description: Issue restrictions to be formulated Arrangement: Negatives housed at 1/2-178143 to 178144 Quantity: 2 photocopy/ies.

Date: 1843

From: Illustrated London news :Clippings related to New Zealand [ca 1842-1890]

Reference: E-106-f-047-2

Description: Te Puni standing, with full facial moko, clad in a dogskin cloak and holding a taiaha in his right hand. Behind him is Petone Pa, and a flagpole with the New Zealand Company flag on the right. The western Hutt hills are in the background. After the drawing by Charles Heaphy. See lithograph entitled `Epuni, or greedy... '. Engraver unknown. Accompanying text reads: Annexed is a portrait of Epemi, a chief of Port Nicholson, in North Island. He is tattooed, wears the native robe, and carries a long spear; but most of the chiefs are familiar with the musket and their strength is counted not by men but by muskets. Other Titles - Te Puni Extended Title - From: Illustrated London news, Vol 2 II, p 247 [1843 Quantity: 1 b&w art print(s). Physical Description: Wood engraving, 115 x 70 mm

From: Godber, Albert Percy, 1876-1949 :[Drawings of Maori rafter patterns or kowhaiwhai] [1939?]-1947

By: Godber, Albert Percy, 1875-1949

Reference: E-302-q-6

Description: Kowhaiwhai patterns from a range of named sources, including Paekakariki, Ngatira- "Te Tikanga", Tama te Kapua House, Ohinemutu, Lake Rotoiti, Gisborne, Maunga-Pohatu porch, "Hinemihi" Te Wairoa. Rotorua, Whakarewarewa, Taupo, Rukumoana. The first drawing is Godber's own "Proposed design for front of whare karakia, Kereone, Rukumoana, March 1843". Quantity: 24 watercolour(s) on 11 pages. Physical Description: Ink and watercolour 248 x 310 mm in sketchbook

Date: 1953 - 1983

From: Messenger, Arthur Herbert, 1877-1962 :[Hand-drawn greeting cards, and book illustrations. 1952-1961].

Reference: A-365-012

Description: Shows men, women and children clambering up a rocky pathway to the fortified pa at Paritutu Published in Taranaki Herald, 12 Mar 1983. See newspaper clipping of same at A-281-013 Inscriptions: Verso - A H Messenger depicts the defenders of Paritutu at a moment of alarm Quantity: 1 watercolour(s). Physical Description: Monochrome wash 260 x 210 mm

Date: 1843

By: Coates, Isaac, 1808-1878

Reference: DPDL-0003

Description: Digital copies of watercolours by Isaac Coates of fifty-two Maori, all drawn in profile. Most are from the Nelson, Motueka, Golden Bay and Marlborough regions, with a few from Port Nicholson (Wellington) and New Plymouth. Subjects include Rangihaeata, his wife 'Ranguira', Rauparaha, his wife 'Cootia', Panni and Pitoki of Queen Charlotte Sound, Manu (Wiremu Katene te Puoho), Piro (or Pero), Iwikau and his wife Hingatu, and child and Rupene all of Wakapuaka near Nelson, 'Potie ... Port Nick', 'A youth of the Motuwaka [Motueka] tribe', 'Piki, Kokiri Tribe', 'Piki Warra' of Motueka, 'E Piko, Kafia Chief' and others. Fifteen of the portraits are duplicated in other collections; thirty-seven are apparently unique. The unique portraits are named as 'Eruera Tuiti [of] Ngatiawa'; 'Eketoo'. ; 'Pinika ... Mokepek'; 'Kariri'; 'Beraka'; 'Poomip'; 'E Kamuaka'; 'Erou' all of Queen Charlotte Sound; 'Engeri'; 'Etou'; 'Atara'; 'Kari'; 'Ropa te mani hera'; 'Eo'; 'Tahia' all of Wakapuaka. Tribal names given include Ngati Toa, Kawhia, Ngatiawa Photographed in groups of two Further unique portraits include 'Nte nui'; 'Ko Huia'; 'Tai Mona'; 'Hara'; 'Tamati' all of Rangitoto [D'Urville Island];'Mokei', 'Ebouka', 'Tohe', E Ngou', 'Apeta', 'E Rua', 'Paipa', 'E Koti', 'Hemi', and 'Emoi', all of Queen Charlotte Sound; 'E Harri of Ngatioma'; 'Tamati Waka Beka' of Taranaki Tribe'; 'Nooka, We Re Ka, of Totaranui'; and 'Nga Huia' of Motueka. Quantity: 28 digital image(s).

Date: 1878 - 1882

By: Lindauer, Gottfried, 1839-1926; James, William Pattison, 1853-1909

Reference: G-554

Description: A distinguished three-quarter head-and-shoulders portrait of Wiremu (Wi) Tako Ngatata as an older man, about 1880. Although his beard is long and grey, his hair is still dark and thick upon his head. He wears a starched shirt, dark waistcoat and narrow-lapelled jacket. He displays fine facial moko Almost identical to an oil in the Partridge Collection, Auckland Art Gallery, painted 1880. A further version, dated 1880, showing Wi Tako in a feather cloak, with pounamu earring, is in the collection of Te Papa, gifted to the Dominion Museum by Alexander Turnbull in 1916 Other Titles - Wi Tako Quantity: 1 oil(s). Physical Description: Oil on canvas, 600 x 500 mm, in frame 830 x 730 mm Provenance: Believed to have been gifted by Wiremu Tako to William James at the time that Wi Tako was paramount chief and member of the Legislative Council of Parliament representing the Hutt Valley. Passed by descent to Edwin 'Tako' James (b 1869), then by descent to the vendor, his grandson

Date: [ca 1880s - 1890s]

From: Collis, William Andrews, 1853-1920 :Negatives of Taranaki

Reference: 1/1-012105-G

Description: A fife and drum band outside the house of W Te Whiti in Parihaka. Photograph taken by William Andrews Collis, circa 1880s to 1890s. Inscriptions: Photographer's title on negative - bottom left - Fife and drum band - Parihaka Quantity: 1 b&w original negative(s).

Date: [ca 1880s - 1890s]

Reference: 1/1-012052-G

Description: A fife and drum band outside the house of W Te Whiti in Parihaka, circa 1880s - 1890s. Photograph taken by W A Collis. Inscriptions: Photographer's title on negative - bottom left - Fife and drum band - Parihaka Quantity: 1 b&w original negative(s). Physical Description: Glass negative

Date: 1842 - 1843

By: Coates, Isaac, 1808-1878

Reference: A-286-018

Description: Head and shoulders profile portrait of a tattooed Maori mann. The subject could be Punga or Panapa of Queen Charlotte Sound See: Minson, Marian. Art as evidence : the enigma of the Nelson Maori portraits. In: Turnbull Library Record, v. 23, no. 1, May 1990, p.47-67, for further information. Panni (or Pane or Punga) would be likely to have had dealings with Rev. Samuel Ironside at Queen Charlotte Sound. All the Maori of the area left in June 1843, after the Wairau Affray. There is some possibility that the person depicted is Pane Waka (died 1909), a woman with male-style moko, indicating her position as a kohere or ariki nui of Ngai Tahu, who lived for some time at Waikawa, in Queen Charlotte Sound. She signed the Treaty of Waitangi in 1840 in Wellington. She had no children. However the artist's inscription contradicts this possibility, indicating that the subject is an adult male and father of at least two daughters. Pani or Panni was a common rendering of Barney, for baptismal name Panapa or Barnabas. At least two men with this name in Queen Charlotte Sound were baptised by Rev Samuel Ironsides in 1842 - Panapa Kouai, an adult on 14 August 1842 and Panapa Porutu, Tory Channel / Te Awaiti, husband of Meri Makarini Piki and father of Paora, infant, on 7 Aug 1842. Other Titles - Panapa, Barney Inscriptions: Recto - beneath image - Title cf very similar portrait in Peabody Museum, Salem, Mass - "Chief of the tribe ... / I. Coates Quantity: 1 watercolour(s). Physical Description: Watercolour & gum arabic 257 x 192 mm Provenance: Part of a house sale in Boston, purchased by New York dealer, then by Auckland dealer. Transfers: One of 19 portraits (A-282-1 to 19).

Date: 1843

By: Hall, R, active 1840s; Coates, Isaac, 1808-1878

Reference: A-114-049

Description: Head and shoulders profile portrait of Panni, a Maori man, shown with full facial moko and wrapped in a feather cloak Same hand as A-114-046. See TL 3/1/1/ 5 Dec 1978. See also TL Record v. 23 no. 1 p. 49-67. Thought to be copy after Isaac Coates. cf similar portrait in the Peabody Museum, Salem, Mass., and ATL See also Bett collection (A114/052/056) Other Titles - Ngatiawa, Te Ati Awa Quantity: 1 watercolour(s). Physical Description: Watercolour 210 x 140 mm Provenance: P D Hutchinson

Date: 1844 - 1847

From: Angas, George French 1822-1886 :The New Zealanders Illustrated. London, Thomas McLean, 1847.

By: Giles, John West, 1801-1870

Reference: PUBL-0014-25

Description: Shows a Maori whare with raupo-thatched roof, kowhaiwhai beams in the porch, woven tukutuku panels, and carved central pole. There are also decorative poles at either side of the porch and down the exterior side. The lintels are also carved. Otawhao Pa is in the Waipa area, Waikato. The commentary in "New Zealanders illustrated" says: The two principal figures, with protruding tongues, that are placed on each side of the verandah entrance, are intended to represent Hikarea, a chief of Tauranga, killed at Te Tumu, when three hundred of the enemy fell; and Tarea, another chief, and a friend of Puatia, who was killed at Tauranga. The lower figure supporting the centre pole, is Taipari, a chief of Tauranga, and now a convert to Christianity; he was one of the principal warriors at the taking of Maketu. The two carved spaces further up the pole, are also designed to represent warriors; the upper one is for Tara, who was slain at Taranaki. The figure ornamenting the centre of the gable, represents Puke, killed at Rotorua, and the one surmounting the top, Wakatau, who fell at Maketu. Pokana, the present chief of Mata Mata, then so actively engaged in the Maketu war, has his image under the rafters, inside the verandah, looking down from the ridge pole, with a pipe in his mouth". Angas visited New Zealand in 1844 Quantity: 1 colour art print(s). Physical Description: Tinted lithograph, hand-coloured 284 x 338 mm.

Date: 1860 - 1887

Reference: PA2-2633

Description: Quantity: 1 b&w original photographic print(s).

Date: 1840

By: Turnbull, Alexander Horsburgh, 1868-1918; New Zealand Company

Reference: C-011-005

Description: View from inside Pipitea Pa, looking north up the harbour towards the Hutt Valley and the Rimutaka Ranges. In the left foreground, two people sit, wrapped in blankets on bare ground. The edges of the site are defined with palisades of varying heights. On lower ground to the right are a wharenui, a long low building with a single door in the side, and two whata or food storage buildings on poles. Note on verso: Selected to be exhibited in the Academy Gallery for the Chamber of Commerce centennial June 1956, but not shown because of lack of space. Other Titles - Wellington Harbour, December Other Titles - Pa Quantity: 1 drawing(s). Physical Description: Pen and brown ink drawing 205 x 284 mm Provenance: Purchased by Alexander Turnbull, London, 1915, as part of the New Zealand Company collection.

Date: 1839 - 1845

By: Park, Robert, 1812-1870; Pearse, John, 1808-1882

Reference: NON-ATL-P-0004

Description: Palisades of the pa at Kaiwharawhara, at the water's edge, with raupo houses, with verandahs and tree-trunk columns in the foreground, with one Maori man reclining in the left foreground and a woman and child seated by one of the whare. Two canoes, with Maori chapel of raupo beyond them in the middle ground and a European yacht beyond that. On the background hill to the right, the whalers' lookout "Tutaewera", aand on the central hill, a zig-zag Maori path running up the Ngaio Gorge area. The background range shows British Peak on the left and Mount Kaukau on the right. The file print during 1970s and 80s attributed to John Pearse and titled "Wellington". However, it pre-dates Pearse's time in Wellington during the 1850s. Other Titles - Wellington. John Pearse. See article about this picture in Kapa-Mana News 20 August 1980, by William Secker. The painting is pre-1845, since the Hutt Road is not yet formed. The architecture of the raupo huts on the left shows the whalers' influence, with the tree-trunk verandah posts. If the attribution to Robert Park is correct, the work could be as early as 1840. Quantity: 1 photograph(s). Physical Description: [Photograph of] watercolour, size unknown

Date: Between 1881 and 1886

From: Williams, Edgar Richard, 1891-1983: Negatives, lantern slides, stereographs, colour transparencies, monochrome prints, photographic ephemera

By: Williams, William, 1858-1949

Reference: 1/1-025979-G

Description: Two Maori women with baby sitting near campfire and cooking pots at Waiwhetu Pa, Hutt Valley, photographed between 1881 and 1889. Women and baby are dressed in European skirts and loose shirts, their hair is bound back. Surrounding them is a pile of firewood, a cart, a small hut and a long wooden fence draped with rugs and blankets. Center frame behind the women is a European man in a top hat posing beside the fence gate. Behind the fence is a line of Maori people standing in a field. Bare eastern hills of Hutt Valley loom in background. Dated from the photographer's residence in Wellington and Napier 1881-1889. The people of the Waiwhetu pa were the Te Matehou hapu of Te Ati Awa iwi Quantity: 1 b&w original negative(s). Physical Description: Dry plate glass negative

Date: 1860

By: Barraud, Charles Decimus, 1822-1897

Reference: B-005-015

Description: Shows the interior of a whare, with a white-bearded Maori man sitting on the ground beside a fire, a small dog asleep on the ground beside him. A taiaha leans on the wall at the left, and on the far wall hangs a kete and a musket. The man wears a dogskin cloak and an earring. Through the open doorway can be seen a canoe drawn up on the shore of Wellington Harbour, and a group of three figures (two kneeling, apparently blowing on a fire below a cauldron) close to a gap in the fence of wooden spiked poles. A hill, probably the Western Hills near Petone, is visible in the background The title of this work on acquisition, assigned by the seller, was Maori in whare at Pipitea Pa. However the man depicted bears a strong resemblance to Honiana Te Puni (compare Barraud's lithograph 'Te Puni' published 1877 as plate II in New Zealand Graphic and Descriptive) and the oil paintings held by the Wellington City Council and National Library of Australia. The dogskin cloak being worn, with a lighter patch on the left front opening, is also very like the cloak shown in Barraud's other portraits of Te Puni. If the subject is Te Puni, the whare in which he is seated is more likely to be at Petone Pa than at Pipitea Pa. The sea and hills behind are also positioned as if from a view from of Petone Pa, not those near Pipitea Pa. Other Titles - [Maori in whare at Pipitea Pa. Original title] Epuni Petone Inscriptions: Recto - bottom right - C. D. Barraud N.Z. 1860 [in pencil] Quantity: 1 watercolour(s). Physical Description: Watercolour, 235 x 343 mm (mounted)

Date: ca 11 Oct 1965

From: Dominion Post (Newspaper): Photographic negatives and prints of the Evening Post and Dominion newspapers

Reference: EP/1965/3815-F

Description: Mayor and Mayoress of Petone, New Zealand, Mr Ralph Love and and Mrs Flora Love, photographed at their Korokoro home, with Petone in the background. Photographed circa 11 October 1965 by an unidentified Evening Post staff photographer. Quantity: 2 b&w original negative(s). Physical Description: Cellulose triacetate negatives, 5.6 x 5.6 cm

Date: ca 8 Oct 1956

From: Evening post (Newspaper. 1865-2002) :Photographic negatives and prints of the Evening Post newspaper

Reference: EP/1956/2220-F

Description: Evening Post caption of 8 October, 1956 reads: "Looking towards the road which, it is proposed to widen. The tomb of Wi Tako Ngatata M.L.C. is in the centre. the Celtic cross facing the road is above the grave of the late Dean Lane. In the background is Petone station." Photographed circa 11 October 1965 by an unidentified Evening Post staff photographer. Quantity: 1 b&w original negative(s). Physical Description: Film negative, 8 x 10.5 cm

Date: 1932

From: Kiwha, Hauangi :Photographs of the Kiwha family

Reference: 1/2-135663-F

Description: Mourners at the tangi of Natanahira Te Umutapu Wi Parata at Whakarongotai Marae, Waikanae in 1932. The woman sitting 2nd from the left, with the boy in her lap is Ani Mere Pohio (nee Cootes). The portraits at the rear are, from left to right: Hemi Matenga?, Unaiki Whareangiangi Pukehi, Hira Parata, Wi Parata Te Kakakura and Winara Matewhitu Wi Parata. The old man holding the baby is Moteatea Kiharoa of Ngati Huia ki Katihiku (Ngati Raukawa). Photographer unidentified. Quantity: 1 b&w original negative(s).

Date: 1844 - 1847

From: Angas, George French 1822-1886 :The New Zealanders Illustrated. London, Thomas McLean, 1847.

By: Angas, George French, 1822-1886

Reference: PUBL-0014-46

Description: 1. [Centre]: 'The celebrated image of Rangihaeata carved by himself. This forms the lower portion of the central pillar, supporting the roof of Rangihaeata's house on the Island of Mana, called 'Kai-Tangata'...The image is about 4 feet high'. 2 [Centre right]: Stern-post of a large canoe from the River Thames. 3. [Top]: 'Papa' a carved box for the reception of the tail feathers of the huia ... 4. [bottom]: Another box for similar purposes ... 5. [Above the image of Rangihaeata] Head of a carved wooden spear about 12 feet long from the Ngatiawa tribe. 6. [Left]: Raised stand for supporting tapued articles consecrated to the dead. Found at Waitahanui Pa, Lake Taupo. 7. [Below the image of Rangihaeata]: A sketch in Port Nicholson Harbour [a man poling himself along in a small canoe] Angas visited New Zealand in 1844 Quantity: 1 colour art print(s). Physical Description: Tinted lithograph, hand-coloured 550 x 360 mm