Places

Date: [ca 1970]-2005

From: Peter, Juliet, 1915-2010 :Photographs

Reference: PAColl-9723-5

Description: Includes - Roy Cowan in his studio surrounded by pots, 1996. Portraits of Roy Cowan, 1996. Roy Cowan and Juliet Peter at home, 8 Heke Street, Ngaio, Wellington, 1990s. Juliet Peter with friends, 2000s. Juliet Peter with her friend Lisl Heller, 1990s. Juliet Peter, Roy Cowan, and sculptor Guy Ngan, 2000s. Gathering of potters at 8 Heke Street Ngaio - Barry Brickell, Roy Cowan, Juliet Peter, Vickie Hearnshaw, Anneke Borren, doreen Blumhardt - 6 May 1999 (this was the day of the last firing of the Cowan's kiln). Barry Brickell and Roy Cowan managing the last firing of the Cowan's kiln, 8 Heke Street, Ngaio, 6 May 1999. Roy Cowan, Juliet Peter, Barry Brickell and friends opening the kiln after the last firing, May 1999. Views of Wellington photographed by Roy Cowan, 1990s. Landscape photographs taken by Roy Cowan on holidays, 1990s. Autumn trees and farmland, probably John Peter's farm, Marlborough. Hill country on John Peter's farm. Mounts Ruapehu and Ngauruhoe. Picnic at Akaroa, 1990s. Lake Tekapo, 1984. Ceramics at an exhibition in Akaroa, ca 1985. Friends and family in New Zealand and overseas. Cowan's ceramics in Ron Sang's garden, Auckland. Bronze fountain in a Bayswater department store, London, photographed by Andrew Grigg. Art works by Juliet Peter including an exhibition of works for sale at Tinakore Gallery, Wellington, 1994. Quantity: 152 colour original photographic print(s). Physical Description: Photographic prints

Date: 1973-2003

By: Paul, Joanna Margaret, 1945-2003

Reference: MS-Group-1800

Description: Papers include: personal and business related correspondence; papers relating to Paul's activities as a painter and poet and paper relating to her other activities which included conservation of cultural heritage, membership of the Historic Places Trust and campaign against the introduction of genetically modified plants and animals into New Zealand. Relationship complexity - A selection of Joanna Paul's art works are deposited with the Hocken Library, Dunedin Daughter of Dame Janet and Blackwood Paul. A poet and artist. Quantity: 4 Linear Metres. Physical Description: Mss, typescripts and printed matter Provenance: Donor/Lender/Vendor - Donated by Jane Paul, Wellington, on behalf of the Paul family, 2009

Date: 19 Mar 2004

From: Harbour-Tyne Streets oral history project, stage I and part of stage II

By: Ogilvy, Donna Demente, 1968-

Reference: OHInt-0800-11

Description: Born in Auckland, 1968. Describes growing up in Dairy Flat - talks about the house she grew up in, attending Dairy Flat Primary School, and learning to swim. Recalls moving to Auckland at the age of seven - mentions Onewhero. Talks about family holidays - mentions going to Wenderholm Regional Park and Kawau Island. Talks about her mother's friends within the 'Inner Peace Movement' - mentions the Nambasa and Sweetwaters festivals. Discusses her involvement in an alternative education experiment in Auckland - mentions Farm Cove, Pakuranga, and Murval Primary Schools. Discusses the advantage of open plan education - mentions her interests while at primary school. Discusses her parents seperation and her father's illness. Recalls attending Pakurange College - also mentions Maclean's College. Discusses how art was seem as a 'soft' subject - talks about being coerced into taking shorthand typing and technical drawing. Mentions her English teacher Bill Griffith and her art teacher Tony Morgan. Talks about her interest in music and cooking - mentions liking the excitement of the theatre. Discusses attending Elam Art School in 1986 - describes her experience there. Talks about Elam's approach to art as being academic - discusses the importance of learning technical skills. Talks about her disillusionment and her reasons for leaving Elam. Talks about taking part in a road march in 1987 - mentions Bluff, Wellington and Cape Reinga. Talks about moving to Dunedin in 1989 - discusses her first days in the city and her first job there. Mentions being involved in performance art and the theatre. Talks about the group called 'Super 8' and Arc Cafe. Discusses reasons for moving to Oamaru in 1995 - mentions Michael O'Brien. Describes what attracted her to working in the historic precinct. Discusses the process involved in renting space in Harbour and Tyne Street - mentions Neil Plunket and Jeff Mitchell. Mentions previous businesses that have occupied the buildings. Talks about establising the collective which now rents the Grainstore Gallery. Discusses some changes in the direction of her art since the move to Oamaru - talks about some of the influences in her art. Describes the future direction of her work and her hopes for the future of Harbour and Tyne Streets. Refers to winning the open section of the Wearable Art Awards in 1991 - describes her winning piece. Discusses her interest in masks and the effect caused by wearing them - talks about her interest in alchemy. Talks about the importance of the artist in society. Interviewer(s) - Jacqui Foley Arrangement: Tape numbers - OHC-014595, OHC-014596 Quantity: 2 C60 cassette(s). 1 printed abstract(s). 1.30 Hours and minutes Duration. Finding Aids: Abstract Available - abstracting complete OHA-5244. Four colour laser printed photographs in abstract. One of Donna Demente alone and three taken on Donna Demente and Jeff Mitchell's wedding day 2 February 2003. Search dates: 1968 - 2004

Date: 1966 - 2016

By: University of Otago

Reference: Eph-E-ARTS-2016-01

Description: Poster advertising an art exhibition shown jointly at two institutions, shows a reproduction of "Adam and Eve" by Michael Illingworth, the 1966 Fellow. The lower right of the poster shows a list of all the winners, annually from 1966. The verso reproduced one art work by each of the Fellows, arranged by year. Two copies held. Quantity: 1 colour photo-mechanical print(s). Physical Description: Offset print, on both sides of sheet 840 x 540 mm. Provenance: Donated in 2016.

Date: [ca 1960-2000]

From: Peter, Juliet, 1915-2010 :Photographs

Reference: PAColl-D-1358

Description: Four photographs. Two are of ceramics by Juliet Peter and Roy Cowan, ca 1970s. One is of Juliet Peter and Roy Cowan taken at their pottery by Marti Friedlander some time in the 1960s. One shows the artists in 2000 when Juliet Peter was awarded a CNZM. Quantity: 1 b&w original photographic print(s). 3 colour original photographic print(s).

Date: [ca 1960-2003]

From: Peter, Juliet, 1915-2010 :Photographs

Reference: PAColl-9723-7

Description: Roy Cowan with one of his ceramic sculptures photographed by Ron Sang about 2003. Roy Cowan and Juliet Peter in the garden of 8 Heke Street among examples of their ceramic work photographed by Marti Friedlander some time in the 1960s. Quantity: 1 b&w original photographic print(s). 1 digital print(s).

Date: [ca 1990-ca 2003]

From: Derum, Kate, 1944-2008 :Photographs chiefly relating to artist Gordon Crook

Reference: PAColl-9901

Description: Photographs chiefly relating to artist Gordon Crook, particularly images of him, his home, studio, flowers in his garden, and tapestry work, taken from circa 1990 to circa 2003. (Note however that four art works have creation dates of 1955, 1966/67, about 1979 and 1992). Some have notes written by Crook on the backs. Eight relate particularly to the Victorian Tapestry Workshop in Melbourne, Australia. Some photographs taken by Crook, other photographers unidentified. Comprises: Eight relating to Derum and the Victorian Tapestry Workshops (VTW) in Melbourne, Australia, taken 1993 and circa 1993. Images show a tapestry of a montage with Derum, weaver Cheryl Thornton, and Joy Smith. Further images show (students?) working at the VTW including [Grazyua Bleya ?] weaving 'Maritimes'. Six images of Crook and others at the City Art Gallery in Wellington, in Dec 1993, during the retrospective exhibition of Crook's works, curated by Derum. Images include Edith Ryan, 'Eddie', and Derum. 23 are taken of and around Crook's house at 119 Aro Street, Wellington, including his studio which was under renovation. Also many of flowers inside and in his garden. Two probably taken inside the Begonia House, Botanical Gardens, Wellington. Five showing him and/or others. Only identified person is Edith Ryan at the Arts Council office. Six comprising buildings, sculpture, the pine tree at One Tree Hill, Auckland. 15 of art works (all? by Crook), particularly tapestries, dated 1955, 1966/67, about 1979 and 1992. Also (1990s?) photographs of tapestries under construction and decorated envelopes created by Crook for letters addressed to Jim and Mary Barr. Quantity: 65 colour original photographic print(s). Physical Description: Dye coupler prints

Date: [ca 1910s, 1934, 1950s-2007]

By: Campbell, Aline Margaret, 1937-2007

Reference: PAColl-10284

Description: Photographic prints relating to Alistair and Meg Campbell. The images mainly comprise group photographs of themselves and other people from the New Zealand literary world, taken circa 1950s to circa 2000s by a range of photographers. The collection also includes photographs taken by Mark Pirie of HeadworkX circa 2005-2006, and one photograph of a kereru in a tree taken by T W Collins of Warkworth, likely in the mid 1900s. Two black and white photographs from the early-mid 1900s are by Jean Taylor of the Kaikoura Star. One shows a group of boys from Glendinning Home in Dunedin, likely including Alistair Campbell, who was sent to the orphanage along with his brothers in 1933. Another photograph, likely 1910s, shows a group of children posing in front of a banner labelled, 'Hands across the sea'. The bulk of the photographs are from the 1950s - 2000s, and include images of Meg and Alistair Campbell, and members of their family and friends. Many images were taken at their home in Pukerua Bay, and some photographs show Campbell family dogs. The images are mainly snapshots and group portraits taken at parties and other events. Literary figures feature prominently in the images, as well as other artists, academics, patrons of the arts, and their relatives. Photographs include images of Sam Hunt, Lauris Edmond, Ruth McKay, Jean Watson, Hone Tuwhare, Rachel McAlpine, Caroline Macdonald, Diana Mason, Vincent O'Sullivan, John Thomson, Bill Oliver, Roger Robinson, Harry Rickets, Michael O'Leary, Yilma Tafere Tasew, Mark Pirie, and others. The collection also includes images from a lunch at Vincent O'Sullivan's house in 1989, and Sam Hunt performing on stage. Source of title - Title supplied by Library Aline Margaret Campbell (nee Andersen), better known as Meg Campbell, was a poet and writer. She and her husband, Alistair Te Ariki Campbell, lived at Pukerua Bay. Quantity: 52 colour original photographic print(s). 13 b&w original photographic print(s). 5 b&w copy photographic print(s). Physical Description: Silver gelatin prints, dye coupler prints Transfers: From Manuscripts & Archives - Originally received as part of A2014-207, Campbell, Aline Margaret Papers, described as MS-Papers-11803-01 to MS-Papers-11803-61.