Places

Date: 1845 - 1975

By: Wallace, John, 1788-1880; Alexander Turnbull Library Endowment Trust

Reference: C-028-048-b

Description: Sandy beach in the foreground with Maori and Pakeha standing singly and in groups, (including a man on the right identified as "Robinson"), a sea-chest, a small boat and stacks of wood, jetties at the water's edge, several Maori canoes and ships in harbour identified as the U. S. Brig "Falco", the "Catherine Johnson" and the brig "Bee" (in the far distance). Reproduced by the Library in 1975 as one of the "Colonial Wellington" prints, with title From Thorndon Beach. The original watercolour is titled View of Wellington Harbour from Thorndon Beach 12 July 1845 (B-079-007. IRN 177622) Inscriptions: Recto - beneath image - J Wallace pinxt 12 6 1845 [or possibly 12/2 1845]. "Falco" U.S. Brig. Raft of ... and Whale Boat. Maori Girls. Catherine Johnston Cutter. Canoes leaving Te Aro pah. Robinson. Bee Brig. Quantity: 1 colour photo-mechanical print(s) framed. Physical Description: Photolithograph 253 x 449 on sheet 431 x 570 mm

Date: 1845 - 1975

From: [Brees, Samuel Charles] 1810-1865 :Colonial Wellington; three views by Barraud, Brees, Wallace. [Wellington] Alexander Turnbull Library Endowment Trust Board 1975

By: Wallace, John, 1788-1880; Alexander Turnbull Library Endowment Trust

Reference: C-028-048-a

Description: Sandy beach in the foreground with Maori and Pakeha standing singly and in groups, (including a man on the right identified as "Robinson"), a sea-chest, a small boat and stacks of wood, jetties at the water's edge, several Maori canoes and ships in harbour identified as the U. S. Brig "Falco", the "Catherine Johnson" and the brig "Bee" (in the far distance). Reproduced by the Library in 1975 as one of the "Colonial Wellington" prints, with title From Thorndon Beach. The original watercolour is titled View of Wellington Harbour from Thorndon Beach 12 July 1845 (B-079-007. IRN 177622) Inscriptions: Recto - beneath image - J Wallace pinxt 12 6 1845 [or possibly 12/2 1845]. "Falco" U.S. Brig. Raft of ... and Whale Boat. Maori Girls. Catherine Johnston Cutter. Canoes leaving Te Aro pah. Robinson. Bee Brig. Quantity: 1 colour photo-mechanical print(s) framed. Physical Description: Photolithograph 253 x 449 on sheet 431 x 570 mm

Date: [Circa 1864 to 1869]

By: Wheeler, William Fox, 1845?-1896; Beere, Daniel Manders, 1833-1909; Morris, John Richard, 1831-1909; Tempsky, Gustavus Ferdinand von, 1828-1868

Reference: PA1-q-266

Description: Albumen prints of Fijian people, a photograph of Dunedin taken by J R Morris, and newspaper cuttings about the SS Mataura were inserted in the front pocket of the album. (The albumen prints have now been placed in protective sleeves and are housed in an envelope outside the album) Album of photographs, albumen prints of popular art works, maps, hand-written and illuminated programmes, and one hand-written poem, created by William Fox Wheeler between 1864 and 1869, during which he was purser on board the SS Mataura. Most of the art-works and hand-written and illustrated items were done by William Fox Wheeler himself. Items of unusual interest are listed below. A map "shewing mail services performed by the Panama, New Zealand & Australian Royal Mail Company, and lines connecting with the company's vessels at Panama" (between p. 46-47). Interspersed with albumen prints of popular art works such as "The Angel Gabriel", "Mother & child", "The Last farewell of Marie Antoinette", and "Fascination" are scenes of places visited by the SS Mataura in the 1860s. Numbers of images show scenes in New Zealand, many of which are unidentified. Several are small portraits of Maori men and women. The album contains a page with early New Zealand, German, Australian and United States postage stamps. A photograph of a painting by Gustavus Von Tempsky showing "`Waiari' scene of conflict with the rebel Maoris on the 11th February 1864" is on page 27. An ink and wash picture taken from Panama (p. 11) An albumen print of a painting of St Mary's Roman Catholic Church in Sydney when on fire in 1866 (p. 38) Photograph of the Wellington Custom House with the time-ball on the roof was taken in 1866 (p. 40) Hand-written poem "Padre Bandelli proses to the Duke Ludovic Sforza about Leonardo da Vinci", with "Leonardo da Vinci poetises to the Duke in his own defence" (11 p. inserted between p. 47 & 48) Handwritten and illuminated "Programme of an evening's amusement on board the steamship "Mataura" given by her passengers while on their voyage between Panama and New Zealand in October 1867" with water-colour painting of the Mataura at head of item (p. 54-55) Another programme dated September 1868 (p. 56) Another programme entitled "Temperance Hall. Under the patronage of Capt. G.E. Bird, RMR, Sir George Grey, Bart. KCB" (beteen p. 58 & 59) Map of South America (between p. 60-61) Handwritten humourous item "Supreme Court, SS Mataura, in criminal jurisdiction" signed H W Humphries, initialled W.F.W. (p. 62) One photograph taken by Daniel Manders Beere shows King Matutaera's "Palace" (p. 30) Inscriptions: Album page - "W.F. Wheeler, P.N.Z. & A.R.M. Cos. SS "Mataura". R.H.N. 1869" (Hand-coloured in oval frame, with water-colour painting of the Mataura, 2 x 4 cm.) Quantity: 1 album(s). Physical Description: Album with patterned cover (in burgundy and black design), brown leather corners and spine, with torn outer cover of waxed cloth, sewn inside front cover creating a pocket; 29 x 24 cm Transfers: To Drawings & Prints Collection - Pencilled cartoon originally inserted in pocket inside front cover..

Date: 1845 - 1975

From: [Brees, Samuel Charles] 1810-1865 :Colonial Wellington; three views by Barraud, Brees, Wallace. [Wellington] Alexander Turnbull Library Endowment Trust Board 1975

By: Wallace, John, 1788-1880; Alexander Turnbull Library Endowment Trust

Reference: C-028-048

Description: Sandy beach in the foreground with Maori and Pakeha standing singly and in groups, (including a man on the right identified as "Robinson"), a sea-chest, a small boat and stacks of wood, jetties at the water's edge, several Maori canoes and ships in harbour identified as the U. S. Brig "Falco", the "Catherine Johnson" and the brig "Bee" (in the far distance). Reproduced by the Library in 1975 as one of the "Colonial Wellington" prints, with title From Thorndon Beach. The original watercolour is titled View of Wellington Harbour from Thorndon Beach 12 July 1845 (B-079-007. IRN 177622) Inscriptions: Recto - beneath image - J Wallace pinxt 12 6 1845 [or possibly 12/2 1845]. "Falco" U.S. Brig. Raft of ... and Whale Boat. Maori Girls. Catherine Johnston Cutter. Canoes leaving Te Aro pah. Robinson. Bee Brig. Quantity: 1 colour photo-mechanical print(s) framed. Physical Description: Photolithograph 253 x 449 on sheet 431 x 570 mm

Date: 1845

By: Wallace, John, 1788-1880; Turnbull, Alexander Horsburgh, 1868-1918; Barraud, Edward Noel, 1857-1920

Reference: B-079-007

Description: Sandy beach in the foreground with Maori and Pakeha standing singly and in groups, (including a man on the right identified as "Robinson"), a sea-chest, a small boat and stacks of wood, jetties at the water's edge, several Maori canoes and ships in harbour identified as the U. S. Brig "Falco", the "Catherine Johnston" and the brig "Bee" (in the far distance). Reproduced by the Library in 1975 as one of the "Colonial Wellington" prints, with title From Thorndon Beach. Exhibited in 'Wide-Eyed: Early Images of New Zealand' exhibition of works by settler artists, held at the National Library of New Zealand Gallery, 18 July - 9 November 1997. Inscriptions: Recto - beneath image - J Wallace pinxt 12 6 1845 [or possibly 12/2 1845]. "Falco" U.S. Brig. Raft of ... and Whale Boat. Maori Girls. Catherine Johnston Cutter. Canoes leaving Te Aro pah. Robinson. Bee Brig.; Backing board recto - beneath image - [in the hand of A. H. Turnbull] Painted by G. Wallace July 12th 1845. "Falco" U.S. Brig. Maori girls. Catherine Johnston cutter. Wellington Harbour - 1845. Robinson. Canoes from Te Aro Pah.; Backing board recto - bottom centre - [in the hand of A. H. Turnbull]: View of Wellington Harbour from Thorndon Beach 12 July 1845 by J. Wallace, father of J. Howard Wallace. [In the hand of Noel Barraud]: A Turnbull with compliments from Noel Barraud - 16/12/12. Quantity: 1 watercolour(s). Physical Description: Watercolour & pencil 253 x 422 mm Provenance: Collection of Alexander Turnbull, given to him by E. Noel Barraud, 16 December 1912.

Date: 1854 - 1856

From: Pearse, John, 1808-1882: [Album. 1851-1856]

By: Pearse, John, 1808-1882

Reference: E-455-f-082-1

Description: Looking along a shoreline with a war canoe close to shore, with a rower holding an oar seated in the stern. On the shore are many Maori, most holding oars. There are hills in the distance Quantity: 1 watercolour(s). Physical Description: Watercolour & ink, 120 x 180 mm

Date: 1847 - 1857

From: Gold, Charles Emilius 1809-1871 :Sketches by General Gold, 1846 to 1860

By: Gold, Charles Emilius, 1809-1871

Reference: A-288-026

Description: A Maori man poling a canoe laden with newly-caught fish, another small canoe in the background and a European sailing vessel, a gannet diving and another seabird swimming close to the first canoe. The man has facial moko, is wearing a tiki around his neck and a flax skirt. The scene is probably at the north end of Evans Bay on the Roseneath side with Miramar Peninsula, the entrance to the Harbour and the Orongorongo Range in the background. Gold's depiction of the outlines of hills is not always very accurate. Exhibited in 'Wide-Eyed: Early Images of New Zealand' exhibition of works by settler artists, held at the National Library of New Zealand Gallery, 18 July - 9 November 1997. Other Titles - New Zealand Inscriptions: Recto - bottom centre - title in ink Quantity: 1 watercolour(s). Physical Description: Watercolour, 175 x 255 mm Provenance: Family descent, to London dealer (1991) to Auckland dealer (1991)

Date: 1851 - 1858

By: Gold, Charles Emilius, 1809-1871; Phillips, William Edward, active 1868

Reference: A-429-042

Description: Shows a view across the harbour towards the town buildings, with Plimmer's Ark noticeable on the foreshore, and the buildings of barracks on the more distant hill at the left. In the right foreground is a small jetty with a wooden hut or sentry box on the end of it, and wooden steps leading down to a moored rowing boat. In the left foreground a red canoe with a cargo possibly of fish or firewood is poled along by a seated tag-cloaked pipe-smoking figure, and a figure standing in a red cloak. The reflections of the canoe and the jetty and hut are clearly visible in the water in the foreground. Further away at the left are a yacht and a larger sailing ship seen end on. Attribution: Attributed to Gold on stylistic grounds, such as the reflections of the canoe and the awkwardness of the figures; see work by Gold at A-288-026. Another version of this watercolour, closely similar, is in Whanganui Museum, signed 'Dr Phillips pinxt'. The name Dr Phillips is not known as an artist resident in Wellington in the 1850s. One artist may have copied the other's work. William Edward Phillips registered as a medical practitioner in Nelson in 1867, but is not known to have been an artist Dating: Gold was based in Wellington between 1847 and 1858. 'Plimmer's Ark', the wrecked barque Inconstant, was moored at the junction of Lambton Quay and Willis Street from 1851 The sentry-box on the end of the wharf was located close to Government House, now the site of Parliament buildings, towards the north end of Lambton Quay Quantity: 1 watercolour(s). Physical Description: Watercolour, 223 x 277 mm.

Date: 1860 - 1887

Reference: PA2-2633

Description: Quantity: 1 b&w original photographic print(s).

Date: 1842 - 1845

By: Coates, Isaac, 1808-1878

Reference: A-286-016

Description: Head and shoulders profile portrait of Honiana te Puni, paramount chief of Wellington district and signatory to the Treaty of Waitangi Although there are multiple copies of most of Isaac Coates' portraits, this is the only known portrait by Coates of Te Puni. See: Minson, Marian. Art as evidence : the enigma of the Nelson Maori portraits. In: Turnbull Library Record, v.23, no.1, May 1990, p.47-67 for further information. See D.N.Z.B. (1990) for biographical information about Te Puni. Inscriptions: Recto - bottom right - Title Quantity: 1 watercolour(s). Physical Description: Watercolour, indelible purple pencil & gum arabic 257 x 192 mm Provenance: Part of a house sale in Boston, purchased by New York dealer, then by Auckland dealer. Transfers: One of 19 such portraits (A-282-1 to 19).

Date: 1842

By: Smith, William Mein, 1799-1869; Turnbull, Alexander Horsburgh, 1868-1918

Reference: G-653

Description: Shows Thorndon and Te Aro, stores, houses, hotels, wharves, flagstaff, the Exchange, customhouse office, post office, man on horseback, settlers, Maoris, and ships in the harbour Original of: Day & Haghe. The harbour of Port Nicholson and the town of Wellington. Published in Wakefield, E.J. Illustrations to Adventure in New Zealand. London, 1845. Plate 4. For identification of buildings, refer to text of this publication. Smith was a New Zealand Company employee at the time of painting this oil and it was probably painted for the Company or as a promotion for colonisation of Wellington. Dimensions including frame: 460 x 1195 mm. Earlier frame, replaced in 1986 and again in 1990 included rounded upper inner corners. Quantity: 1 oil(s). Physical Description: Oil on canvas 320 x 1060 mm Provenance: Purchased by Alexander Turnbull?