Places

Date: 1777 - 1773

By: Hodges, William, 1744-1797; Michel, Jean Baptiste, 1748-1804

Reference: C-051-026-a

Description: Head and shoulders portrait of Tuanui, (also known as Rangituanui), principal chief of Ngati Hikatoa. He is shown with feathers in his hair, albatross feather earrings, moko and a bone toggle fastening his cloak. After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-747. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990 - 1992. Item 1 in the catalogue.. Edges trimmed within plate marks, except along the bottom. This likeness was taken aboard the Resolution in the Cape Kidnappers area on 22 October 1773. Tuanui was the recipient of two sows and two boars, from which the wild pigs known as 'Captain Cookers' are descended. The engraved image is a reversal of the original red chalk drawing. Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777), Pl. 55 Quantity: 1 b&w art print(s). Physical Description: Engraving, black & white, 228 x 181 mm (image) on sheet 300 x 245 mm.

Date: 1783 - 1785

By: Hodges, William, 1744-1797

Reference: A-111-018-c

Description: Shows a family of Maori in Dusky Sound. The man, crouched to the right, has a mere at his waist and is carrying a long-handled club In: Anderson, G W ., ed. A new, authentic and complete collection of voyages...London; A Hogg [1784] op. p 54. Derived from a painting by William Hodges made on Cook's second voyage Other Titles - Dusky Bay Quantity: 1 b&w art print(s). Physical Description: Black and white engraving, 223 x 350 mm

Date: 1783 - 1785

By: Hodges, William, 1744-1797

Reference: A-111-018-b

Description: Shows a family of Maori in Dusky Sound. The man, crouched to the right, has a mere at his waist and is carrying a long-handled club In: Anderson, G W ., ed. A new, authentic and complete collection of voyages...London; A Hogg [1784] op. p 54. Derived from a painting by William Hodges made on Cook's second voyage Other Titles - Dusky Bay Quantity: 1 b&w art print(s). Physical Description: Black and white engraving, 223 x 350 mm

Date: 1777 - 1773

By: Hodges, William, 1744-1797; Thomson, John Mansfield, 1926-1999

Reference: C-051-027-b

Description: Head and shoulders portrait of a Maori woman with short straggly hair and a cloak wrapped around her shoulders. After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-740. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990 - 1992. Item 2 in the catalogue. This likeness was taken some time between 18 May and 7 June 1773 while the Resolution was at Ship Cove. Anders Sparrman recorded: "It was in such a buggi-buggi [paki-paki or cloak?] that the New Zealand woman was portrayed by the masterly hand of Mr Hodges, our painter. I must confess, however, that he did not choose the most beautiful model as an example of this country's female physiognomy, for the likeness of younger and fairer women is not so easy to depict, yet neither was this one of the ugliest. Language difficulties at first gave rise to a misunderstanding between the girl and the painter, for she, having been paid well to go down into the saloon, inagined that she ought to give satisfaction in teh way she understood it, as soon as possible in return for our gift; perhaps she had had previous experience with our sailors? She was astonished when signs were made for her to sit on a chair; such a novel way of doing things struck her as absurd, but she promptly volunteered a prone position on the chair for the painter and his companion. To her further surprise she was eventually put in a correct position, just sitting on the chair with nothing to do; whereupon, to the wonderment and entertainment of herself and the two savages with her, she quickly saw her likely, appearing in a red crayon drawing." (Sparrman, 1944, p. 56-57). Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777),Pl. 58 Quantity: 1 b&w art print(s). Physical Description: Engraving, black & white 225 x 178 mm (image), on sheet 325 x 250 mm, stuck to backing sheet. Provenance: From the estate of John Mansfield Thomson, 2000.

Date: 1795 - 1805

By: Hodges, William, 1744-1797

Reference: A-111-026

Description: Head and shoulders portrait of a Hawkes Bay chief, Tuanui or Rangituanui, principal chief of Ngati Hikatoa Derived from engraving after Hodges on Cook's 2nd voyage Other Titles - Man of New Zealand [translation] Quantity: 1 colour art print(s). Physical Description: Lithograph, hand-coloured 140 x 87 mm

Date: 1769 - 1779

By: Cockburn, Edwin, active 1837-1868; Goos, Pieter, 1616?-1675; Hodges, William, 1744-1797; Webber, John, 1751-1793; New South Wales. Department of Education. Resource Service; Australian National Maritime Museum

Reference: C-123-012/024

Description: Contents: Edwin Cockburn (fl. 1837-1868). Whitby from the East Cliff. - Model of H.M. Endeavour Bark, showing interior, 1768. - Pieter Goos (ca. 1616-1675). Portulan chart of the East Indies ca 1660. - William Hodges (1744-1797). Captain James Cook, ca 1775. - W. Hodges. Table Bay, Capetown, 1772. - W. Hodges. Warboats of Otaheiti (Tahiti), 1777. - Matavai Bay (Tahiti) with "Resolution" and "Adventure", ca 1773. - W. Hodges. Tahiti revisited, 1774. - W. Hodges. Monuments on Easter Island, 1775. - W. Hodges. Pickersgill Harbour, Dusky Bay, New Zealand, 1773. - John Webber (1751-1793). The "Resolution" and "Discovery" in Queen Charlotte Sound, New Zealand, 1777. - J. Webber. The "Resolution" and "Discovery" in Nootka Sound, Vancouver Island, 1778 (also on cover sheet). Produced by the NSW Department of Education (Resource Services) from originals in the Australian National Maritime Museum, Sydney. Second copy of C-123-020 held as C-123-020-a: Monuments on Easter Island Inscriptions: Recto - top right - (On cover sheet): [Title]; Verso - Factual text on the back of each print. Quantity: 13 colour photo-mechanical print(s). Physical Description: Set of 12 colour photolithographs and coversheet, images various sizes on sheet 352 x 500 mm.

Date: 1777 - 1773

By: Hodges, William, 1744-1797; Michel, Jean Baptiste, 1748-1804; Thomson, John Mansfield, 1926-1999

Reference: C-051-026-b

Description: Head and shoulders portrait of Tuanui, (also known as Rangituanui), principal chief of Ngati Hikatoa. He is shown with feathers in his hair, albatross feather earrings, moko and a bone toggle fastening his cloak. After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-747. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990 - 1992. Item 1 in the catalogue.. Edges trimmed within plate marks, except along the bottom. This likeness was taken aboard the Resolution in the Cape Kidnappers area on 22 October 1773. Tuanui was the recipient of two sows and two boars, from which the wild pigs known as 'Captain Cookers' are descended. The engraved image is a reversal of the original red chalk drawing. Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777), Pl. 55 Quantity: 1 b&w art print(s). Physical Description: Engraving, black & white, 228 x 181 mm (image) on sheet 340 x 250 mm, stuck to backing paper. Provenance: From the estate of John Mansfield Thomson, 2000.

Date: 1777 - 1773

By: Hodges, William, 1744-1797

Reference: C-051-027-a

Description: Head and shoulders portrait of a Maori woman with short straggly hair and a cloak wrapped around her shoulders. After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-740. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990 - 1992. Item 2 in the catalogue. This likeness was taken some time between 18 May and 7 June 1773 while the Resolution was at Ship Cove. Anders Sparrman recorded: "It was in such a buggi-buggi [paki-paki or cloak?] that the New Zealand woman was portrayed by the masterly hand of Mr Hodges, our painter. I must confess, however, that he did not choose the most beautiful model as an example of this country's female physiognomy, for the likeness of younger and fairer women is not so easy to depict, yet neither was this one of the ugliest. Language difficulties at first gave rise to a misunderstanding between the girl and the painter, for she, having been paid well to go down into the saloon, imagined that she ought to give satisfaction in the way she understood it, as soon as possible in return for our gift; perhaps she had had previous experience with our sailors? She was astonished when signs were made for her to sit on a chair; such a novel way of doing things struck her as absurd, but she promptly volunteered a prone position on the chair for the painter and his companion. To her further surprise she was eventually put in a correct position, just sitting on the chair with nothing to do; whereupon, to the wonderment and entertainment of herself and the two savages with her, she quickly saw her likeness, appearing in a red crayon drawing." (Sparrman, 1944, p. 56-57). Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777),Pl. 58 Quantity: 1 b&w art print(s). Physical Description: Engraving, black & white 299 x 233 mm

Date: 1777 - 1773

By: Hodges, William, 1744-1797; Michel, Jean Baptiste, 1748-1804

Reference: C-051-026

Description: Head and shoulders portrait of Tuanui, (also known as Rangituanui), principal chief of Ngati Hikatoa. He is shown with feathers in his hair, albatross feather earrings, moko and a bone toggle fastening his cloak. After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-747. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990 - 1992. Item 1 in the catalogue.. Edges trimmed within plate marks, except along the bottom. This likeness was taken aboard the Resolution in the Cape Kidnappers area on 22 October 1773. Tuanui was the recipient of two sows and two boars, from which the wild pigs known as 'Captain Cookers' are descended. The engraved image is a reversal of the original red chalk drawing. Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777), Pl. 55 Quantity: 1 b&w art print(s). Physical Description: Engraving, black & white, 228 x 181 mm (image) on sheet 300 x 245 mm.

Date: 1777 - 1773

By: Hodges, William, 1744-1797

Reference: C-051-027

Description: Head and shoulders portrait of a Maori woman with short straggly hair and a cloak wrapped around her shoulders. After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-740. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990 - 1992. Item 2 in the catalogue.. Edges trimmed within plate marks. This likeness was taken some time between 18 May and 7 June 1773 while the Resolution was at Ship Cove. Anders Sparrman recorded: "It was in such a buggi-buggi [paki-paki or cloak?] that the New Zealand woman was portrayed by the masterly hand of Mr Hodges, our painter. I must confess, however, that he did not choose the most beautiful model as an example of this country's female physiognomy, for the likeness of younger and fairer women is not so easy to depict, yet neither was this one of the ugliest. Language difficulties at first gave rise to a misunderstanding between the girl and the painter, for she, having been paid well to go down into the saloon, imagined that she ought to give satisfaction in the way she understood it, as soon as possible in return for our gift; perhaps she had had previous experience with our sailors? She was astonished when signs were made for her to sit on a chair; such a novel way of doing things struck her as absurd, but she promptly volunteered a prone position on the chair for the painter and his companion. To her further surprise she was eventually put in a correct position, just sitting on the chair with nothing to do; whereupon, to the wonderment and entertainment of herself and the two savages with her, she quickly saw her likeness, appearing in a red crayon drawing." (Sparrman, 1944, p. 56-57). Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777),Pl. 58 Quantity: 1 b&w art print(s). Physical Description: Engraving, black & white 299 x 233 mm

Date: 1777

By: Hodges, William, 1744-1797; Strahan, William, 1715-1785; Cadell, Thomas, 1742-1802

Reference: A-464-019

Description: Head and shoulders portrait of a Maori woman with short hair and a red cloak wrapped around her shoulders. She also wears a red-coloured drop earing, probably meant to be greenstone After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-740. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990-1992; item 2 in the catalogue This likeness was taken some time between 18 May and 7 June 1773 while the Resolution was at Ship Cove. Anders Sparrman recorded: "It was in such a buggi-buggi [paki-paki or cloak?] that the New Zealand woman was portrayed by the masterly hand of Mr Hodges, our painter. I must confess, however, that he did not choose the most beautiful model as an example of this country's female physiognomy, for the likeness of younger and fairer women is not so easy to depict, yet neither was this one of the ugliest. Language difficulties at first gave rise to a misunderstanding between the girl and the painter, for she, having been paid well to go down into the saloon, imagined that she ought to give satisfaction in the way she understood it, as soon as possible in return for our gift; perhaps she had had previous experience with our sailors? She was astonished when signs were made for her to sit on a chair; such a novel way of doing things struck her as absurd, but she promptly volunteered a prone position on the chair for the painter and his companion. To her further surprise she was eventually put in a correct position, just sitting on the chair with nothing to do; whereupon, to the wonderment and entertainment of herself and the two savages with her, she quickly saw her likeness, appearing in a red crayon drawing." (Sparrman, 1944, p. 56-57) Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777), Pl.58 The Library holds other versions of this likeness (a black and white example being at C-051-027) Quantity: 1 colour art print(s). Physical Description: Engraving, hand-coloured, 225 x 175 on laid paper 285 x 190 mm (plate mark)

Date: 1777

By: Dunbar Sloane Ltd; Michel, Jean Baptiste, 1748-1804; Hodges, William, 1744-1797; Strahan, William, 1715-1785; Cadell, Thomas, 1742-1802

Reference: A-464-020

Description: Head and shoulders portrait of Tuanui, (also known as Rangituanui), principal chief of Ngati Hikatoa. He is bearded, and shown with four multi-coloured feathers in his hair (probably meant to be huia feathers), albatross feather earrings, moko and a bone toggle fastening his cloak After a red chalk drawing on Cook's 2nd voyage, now in National Library of Australia, reference number R-747. The original drawing was exhibited in 'Encounter with Eden, New Zealand, 1770-1870' a touring exhibition in New Zealand, 1990-1992; item 1 in the catalogue This likeness was taken aboard the Resolution in the Cape Kidnappers area on 22 October 1773. Tuanui was the recipient of two sows and two boars, from which the wild pigs known as 'Captain Cookers' are descended. The engraved image is a reversal of the original red chalk drawing Extended Title - From: Cook, J. A voyage towards the South Pole. (London, Strahan & Cadell, 1777), Pl.55 The Library holds other versions of this likeness (a black and white example being at C-051-026) Quantity: 1 colour art print(s). Physical Description: Engraving, hand-coloured, 230 x 180 on laid paper 290 x 235 mm (plate mark cropped)