Places

Date: 1960 - 1969

By: Lloyd, Leslie Charles, active 1950s-1980s

Reference: Plans-80-2269

Description: Details of permanent storage container for pictures on paper showing folding braces and metal mesh shelves Quantity: 1 plan(s). Physical Description: Black ink drawing on white paper

Date: 2003

By: Christchurch Art Gallery

Reference: Eph-E-MUSEUM-Chch-2003-01

Description: Different arrangements of white letters, numbers, partial letters and numbers, on a red background. Quantity: 6 colour photo-mechanical print(s). Physical Description: Pphotolithographs on posters sizes 595 x 595 mm, and 595 x 840 mm. Provenance: Donated by Hamish Thompson in 2003.

Date: 1987 - 1989

From: James Beard & Company :[Architectural plans and drawings. 1960-1990s?]

Reference: Plans-2009-082-4189-001/054

Description: Includes plans, sections, elevations and perspective drawings of a new craft centre building adjacent to the existing old Post Office building to be used as a museum. Includes plans for renovations to the Post Office building, and plans with annotations showing a viewing route inside the new building. Quantity: 54 plan(s). Physical Description: Pencil drawings on draughting paper, and diazo prints, sizes varying up to 430 x 590 mm. Transfers: From Manuscripts & Archives - Ms-Group-1803 - Other material of the same provenance is housed at Ms-Group-1803, and in the Photographic Archive.

Date: 1964 - 1975 - 1969 - 1979

From: Paul, Janet Elaine, 1919-2004 :[Thirty-one sketchbooks 1959-1997].

Reference: E-665

Description: Bound pages include sketches of art works by Rouault from a Paris exhibition in October 1964; also watercolours by Cezanne; works by Braque and Picasso. There are two sketches from the pane over France, and some handwritten notes about the Musee de l'Art Moderne, Paris. Untitled figure sketches. Loose leaves include what may be in part sketches from a Europe tour of 1969, but also include some sketches (mainly unnamed portrait and landscape) from the mid-late 1970s. Named sketches include: Patrick Hayman (London), Sarah & Emma & Catherine 24/10/1976, Eve Page drawing Adrian Kiernander, landscape sketches at Utiki [Utiku?]. Quantity: 1 album(s) Album(s). Physical Description: Hardcover book bound in white buckram, 255 x 190 mm. Provenance: Estate of Janet Elaine Paul, 2005.

Date: [Circa 1920s]

Reference: PA1-o-441

Description: Album of photographs taken circa 1920, by an unidentified photographer. None of the images have inscriptions; only a few places have been identified. Identifiable buildings and locations have been listed above. Many of the scenes are of a two-storey English cottage in the Arts & Crafts style, showing exterior and interior views. There is one of a viewing tower with windows and gables, possibly in the garden of the same house. Quantity: 1 album(s) Album(s). Physical Description: Album with green cover, entited "Photo-graphs"; 22.0 x 17.5 cm

Date: 1973

By: Starke, June, 1923-2006

Reference: ArtEph-1973-V-01

Description: Catalogue list of drawings and prints by English and European artists, collected by E G F Vogtherr. The catalogue is arranged alphabetically by artist's surname, from Burne-Jones (two drawings) to Vlaminck (a lithograph). Sources are given for most works. The collection includes watercolours by Isaac Cruikshank, James Holland (1800-1870), John Frederic Lewis (1805-1870), Thomas Matthew Rooke (1842-1942), and three by John Ruskin, but no oil paintings. The remaining works are drawings in various media and a range of etchings, engravings and lithographs The front cover gives Mr Vogtherr's address as 4 Selwyn Road, Havelock North, Hawke's Bay. It includes a note 'Note: this is not a sales catalogue but in the building of a collection items at times do become available.' Quantity: 1 album(s) Album(s). Physical Description: Typescript, 12 pages, 260 x 207 mm. Provenance: Donated by Mrs June Starke, Wellington, in 2003. Transfers: From Manuscripts & Archives - A2003-253.

Date: [1980-1987]

From: Creative New Zealand: Collections relating to the Queen Elizabeth II Arts Council and Creative NZ

Reference: PA12-5812

Description: Views of activity rooms and workshops in the Christchurch Arts Centre, Christchurch, New Zealand, and exterior and interior views of the Wairarapa Arts Centre, Masterton, New Zealand. Quantity: 20 colour original transparency/ies.

Date: 1929-1948

From: Gooch, Mitchell and MacDiarmid Ltd : Photographs

Reference: PAColl-7666-1

Description: Photographs of the stands and other buildings at Tauherenikau Race Course taken by Photo News Wellington on the 24th of February 1948. Portions of the facade of Briscoe's Building which was located in Victoria and Harris streets, Wellington, photographed about 1930. Designs and plans for the Dominion Museum, National Art Gallery, and Carillon, Wellington, for the 1929 competition for these buildings. Quantity: 28 b&w original photographic print(s). Transfers: From Manuscripts & Archives - MS-Group-1126: Gooch, Mitchell and MacDiarmid Ltd: Records. See also Drawings and Prints collection Plans-2002-058: Gooch, Mitchell and MacDiarmid Ltd : [Architectural plans.1906-1995]. Note: Photographs at PAColl-7666-1 are associated with Plans-2002-058-08 (for Tauherenikau Race Course buildings). Plans-2002-058-Folder 033 (for Briscoe's Building). Plans-2002-058-Folder-080 (for Dominion Museum and National Art Gallery)..

Date: 1885 - 1886

By: Stevens, George Treacy, active 1880s; Auckland evening star (Newspaper)

Reference: D-001-006-b

Description: Birds eye view of central Auckland - "This view is compiled and drawn as from a point one thousand feet above and one hundred feet to the rear of the Hospital during the year 1885 and part of 1886 by George Treacy Stevens, Auckland, N. Z.". All the streets are named and every building is shown, as well as the wharves and part of the harbour. Grafton Road, the hospital and part of Auckland Domain dominate the foreground, and the view extends beyond St Mary's Bay (West Haven boat harbour) in the north-west, a block beyond Union Street in the west, to the beginning of Karangahape Road in the south-west and to Judges Bay and part of Hobson Bay in the east. The only known detailed birds-eye view of a nineteenth-century New Zealand city. Quantity: 1 colour art print(s). Physical Description: Chromolithograph, 674 x 910 mm (image) on sheet 766 x 1019 mm

Date: 1985 - 1995

By: Sarjeant Gallery; Harding, William James, 1826-1899

Reference: Eph-A-ARTS-Sarjeant-01

Description: Includes cards and postcards showing photographic views of the Sarjeant Gallery, and reproductions of works by William James Harding, Matt Pine, Frank Denton, Andrew Drummond, Mervyn Williams, R P Moore, Laurence Aberhart, Bob Negrijn, Peter Nicholls, Neil Pardington, Peter Peryer, Don Driver. Quantity: 1 folder(s) 22 colour photo-mechanical print(s) (cards and postcards). Physical Description: Photolithographs, on cards, sizes varying from 140 x 110 mm, to 220 x 160 mm. Provenance: Deposited under legal deposit in 2000. Transfers: Cards reproducing works by painters and other artists accessioned by Drawings & Prints (DP-2000-028)..

Date: [1980-1987]

From: Creative New Zealand: Collections relating to the Queen Elizabeth II Arts Council and Creative NZ

Reference: PA12-5800

Description: The Pumphouse, Takapuna, Auckland, New Zealand. Exterior and interior views of the building. The Pakuranga Community and Cultural Centre, Pakuranga, Auckland, New Zealand. An exterior and interior views of the building. Quantity: 16 colour original transparency/ies.

Date: 1885 - 1886

By: Stevens, George Treacy, active 1880s; Auckland evening star (Newspaper)

Reference: D-001-006-a

Description: Birds eye view of central Auckland - "This view is compiled and drawn as from a point one thousand feet above and one hundred feet to the rear of the Hospital during the year 1885 and part of 1886 by George Treacy Stevens, Auckland, N. Z.". All the streets are named and every building is shown, as well as the wharves and part of the harbour. Grafton Road, the hospital and part of Auckland Domain dominate the foreground, and the view extends beyond St Mary's Bay (West Haven boat harbour) in the north-west, a block beyond Union Street in the west, to the beginning of Karangahape Road in the south-west and to Judges Bay and part of Hobson Bay in the east. The only known detailed birds-eye view of a nineteenth-century New Zealand city. Quantity: 1 colour art print(s). Physical Description: Chromolithograph, 674 x 910 mm (image) on sheet 766 x 1019 mm

Date: 1997

Reference: Eph-D-GRAPHIC-ARTS-1997-01/03

Description: Includes posters for: 1. "Lineal land; the art of William Ferrier and his grandson Colin McCahon" (from 27 March 1997)- poster shows Colin McCahons' 'Kurow Hill' January 1972; 2. "Local eyes; scenes of Timaru from the nineteenth and twentieth centuries" (from 27 March 1997) - poster shows Louis Neville's 'Timaru from the breakwater' 1919; 3. "Frances Hodgkins 1869-1947; paintings from the Aigantighe Collection and private lenders including works by Nerli, William and Isabel Hodgkins, some exhibited for the first time (from 27 March 1997) - poster shows her 'Marketing, Dinan [France]' ca 1903. Quantity: 3 colour photo-mechanical print(s). Physical Description: Photolithographs, 422 x 595 mm.

Date: 1991

By: Mission Hall Design Group Ltd; Ardern, Michelle, active 1990s

Reference: Eph-D-ARTS-1991-01

Description: Shows a chiaroscuro photograph of the top half of a nude male figure. Text and right border are in pink. Quantity: 1 colour photo-mechanical print(s) on poster.. Physical Description: Photolithograph, on poster 420 x 590 mm.

Date: 1988

By: Auckland City Art Gallery

Reference: Eph-E-ARTS-1988-02

Description: Shows "Tosser", by Boyd Webb, 1986. Quantity: 1 colour photo-mechanical print(s) on poster. Physical Description: Photolithograph on poster, 848 x 602 mm.

Date: ca 1992

By: Hedley, Mark, active 1975-1992

Reference: PAColl-3436

Description: Quantity: 20 b&w original negative(s) (being 35mm strips comprising 118 images).

Date: 2000

Reference: H-638-001/018

Description: Topics include developments along the Wellington waterfront, Prime Minster Helen Clark's attack on spend-thrift television managers, controversy over the national museum Te Papa's presentation of artworks, the Constitutional Conference 2000, the rebel coup in Fiji, activist Tame Iti's visit to Fiji during the rebel coup, the character of Jenny Shipley, the Leader of the Opposition, New Zealand's health record compared to that of France, New Zealand doctors and nurses emigrating while immigrant doctors are not employed in New Zealand, Associate Minister of Maori Affairs Tariana Turia's use of the word holocaust in a Maori context, the falling New Zealand dollar, the use of human DNA in pig embryos, American miltary responses to cut-backs in New Zealand defence spending, the non-pacific nature of the Pacific Ocean, the New Zealand-Australian agreement reached over social welfare and immigration policies, logging of native forests on the West Coast, the Treaty of Waitangi Tainui settlement advantaging the Hong KOng and Shanghai Bank. Quantity: 18 photocopy/ies. Physical Description: A4 size photocopies of black ink drawings.

Date: 1972

By: Porter & Martin (Firm)

Reference: D-021-156

Description: Shows plan of building originally designed as toilets, refurbished in this case for a graphics studio and gallery. Inscriptions: Recto - bottom right - Job no. 723, drawing P1 Quantity: 1 plan(s). Physical Description: Hand-coloured dye-line print 510 x 768 mm.

Date: 2001

By: Tremain, Garrick, 1941-; Otago daily times (Newspaper)

Reference: H-655-001/037

Description: 37 cartoons on political and social subjects published in the Otago Daily Times. A panda bear sits and swings the five Olympic rings in its paws with Olympic officials commenting on China's successful bid for the Olympic games. Comment on ASH's view of underage smoking - two children walk past a cinema and a man in an alleyway furtively offers to show them pictures of people smoking. Comment on Jim Anderton's aim for a 'Peoples Bank' - Jenny Shipley is portrayed as a bank teller sitting under a signd your breath'. Public cynicism of Michael Cullen's proposed Superannuation scheme. Farmers discussing their lack of confidence in ENZA. Cartoonist's reaction to the disparity between the financial levels of sports peoples and other people when being assessed to be published on the 'rich list'. Comment on the publication that 'kiwi kids' are overweight. A male ironing clothing offers comment on Helen Clark Jenny Shipley Silvia Cartwright Sian Elias and Michelle Boag being in positions of power. Comment by a male sitting down to breakfast that deer velvet being a sex aid is 'bunkum'. Michael Cullen is shown standing next to a poker machine called 'Future Super' indication it is the helath and education monines that the poker machine needs to work on. Comment on the outcome of Max Bradford's electricity reforms. Max Bradford is in an electricial repair shop being told that if the article he brought for repair was not broken before Bradford tried to fix it it is broken now. Helen Clark Parekura Horomia and Michael Cullen presenting their individual position on the issue of Maori TV A schoolteacher chastises Max Bradford for blaming others. Michael Cullen and Helen Clark watch two overweight dogs named Super and Maori TV eating while two thin dogs named Education and Health are straining at their leads for food. A nurse opens the expectant fathers waiting room door to tell Mr Anderton to go home and he will be notified if there is any sign of labour getting serious. Early visitors arrive on the shores of New Zealand with the comment that the natives may regret not having an immigration policy. Christine Rankin wears two very large earings one labled 'winzum' the other 'lose some'. Comment on the news that the right-of-way road rule is to be revised. Jim Anderton Helen Clark and Michael Cullen cling to a life raft identified as Beneficiary Voting Block with two boaties in the background commenting that even the knowledge wave did not loosen their grip. Comment on Helen Clark's support for funding going to the arts. Comment on Laila Harre and holiday shopping Finger pointing from Pete Hodgson and Max Bradford as to who is to blame for the electricity reforms not working/ Rugby fans pay their first visit to Dunedin and pass comment on the wearing of tartan trousers. Shows a bloody battle of Gengis Khan's army. Word is being passed around to forget about the plundering and go for the 'bonus point'. Refers to the NZ cricket teams decision to stop their point scoring run glut against Australia and take the bonus point offered by a technicality. Shows two young school boys discussing public educations failure to teach reading, writing and numeracy. Shows Jim Anderton on the steps of Treasury with water flooding under the front doors and down the steps. Comment on Anderton's attempts to stop the 'leaks' coming from Treasury. Comment on the public boredom over multi-millionaire Steve Fossett's attempts to fly around the world non-stop in a hot-air balloon. Shows Marian Hobbs with a large wind instrument wrapped around her playing 'NZ Music' to a man who represents the NZ public. He has a large flat neck collar on representing the new NZ music quota. The collar prevents him from putting his fingers in his ears should not wish to listen to the music. Shows mother explaining to her crying children that their father is now going to play golf rather than take them sailing. The change is due to their father being agitated by NZ Professional Golfer Grant Waite's performance. Comment on prison staff's industrial 'go-slow' and the opportunities it creates for prisoners to escape. Shows a large area of forestry being felled for the sake of sending 'positive signals' to overseas companies. Shows an elderly couple, justifying to a squad of police officers at their front door, that they are doing all they can in the nationwide drive to save electricity. Shows Marian Hobbs introducing a rock band called 'Marian and the quotas'. Shows Sam Neill at the Jurassic Park 3 movie premiere with an old pre-historic friend. Shows a woman in an art gallery asking if a framed display is a piece of art. The gallery worker assures her it is and explains that it is Creative New Zealand's justification for their travel expenditure. Quantity: 37 photocopy/ies. Physical Description: Photocopies on sheets 297 x 210 mm.

Date: 1962

From: Henderson, George Duncan, 1911?-1985:[Collection of cartoons by George Henderson (Hen). 1961-1984]

Reference: A-445-005

Description: Shows six framed paintings which are entitled 'Suggestions for a Taranaki Art Gallery'. There is 'Port Development', 'Sunrise on Egmont', 'Bubbles a study in oils', 'Blue boy' (Ranfurly Shield), 'Taranaki sunset' showing a cow, and 'Paradise Lost' as the pub proprietor shouts 'Time Gents!!!' Context: Probably relates to development of what eventually was named the 'Govett-Brewster Art Gallery' that opened in 1970. Quantity: 1 original cartoon(s). Physical Description: Ink and wash on paper 150 x 200 mm