Handicraft - New Zealand

There are 25 related items to this topic
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Tawa Art and Craft Society: [Ephemera. 2010-2015]

Date: 2010-2015

Reference: Eph-B-ARTS-Tawa-2010/2015

Description: Includes: Undated: Flier A5 size about the group's activities 2010: Tawa Art and Craft Society (Inc). Catalogue of exhibits at Dunkley's Great New Zealand Craft Show, Porirua, May 2010 Tawa Art and Craft Society (Inc). Dunkley's Great New Zealand Craft Show instructions, 28-30 May 2010 2012: Tawa Art and Craft Society (Inc). proudly present their annual expo. Sheet of four repeated announcements 2013: Tawa Art and Craft Society (Inc). Annual Expo, 19 October 2013. Small coloured poster; and sheet of three repeated announcements 2014: Tawa Art and Craft Society (Inc). Annual Expo, 18 October 2014. Small b&w poster Tawa Art and Craft Society (Inc). Expo 18 October 2014. Application form and information 2015: Tawa Art and Craft Society (Inc). Art and Crafts Fair. Tawa Community Centre, 10 October 2015. Small poster on cream paper; sheet of four repeated announcements; and Important information for stallholders Quantity: 1 folder(s). Physical Description: Photocopies, up to 297 x 210 mm.

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Stained glass windows, St Patrick's College, Silverstream

Date: 1977

From: Shore Bennett, Beverley Doris, 1928- :Photographs

Reference: PAColl-D-1377

Description: Stained glass windows in St Patrick's College Chapel, Silverstream, Upper Hutt. Designed by Beverley Shore Bennett and made by Miller Studios Ltd, Dunedin. Quantity: 2 colour original photographic print(s).

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[Ephemera relating to exhibitions in New Zealand. 1900]

Date: 1900

Reference: Eph-A-EXHIBITION-1900

Description: Includes: Canterbury Jubilee Industrial Exhibition. Opening by His Excellency the Governor Earl of Ranfurly. 1 November 1900. Invitation card to Mr C A Ewan Canterbury Jubilee Industrial Exhibition. Schedules of the Home Industries Section [includes Literary, Drawing & painting, Writing and illuminating, Photography, Carving & Modelling, Needlework, Collections, Floral display, Domestic work, Cooking]. (Front cover damaged) Quantity: 1 folder(s). Physical Description: Sizes varying up to 240 mm.

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Photographs relating to crafts in New Zealand

Date: [ca 1984]

From: Sheffield House Publications Collection

Reference: PA12-11283

Description: Includes - Examples of Ikebana (Japanese flower arrangements) made by New Zealanders. Building interior showing sculpture of a man holding a chain saw, and a mural in wood incorporating large stylized chrysanthemum-like flower forms. Unidentified coloured ceramic. Glass artist, Tony Keupfer working in his Inglewood studio. Taniwha carved in bone by Owen Mapp. Quantity: 10 colour original transparency/ies.

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Photographs relating to crafts in New Zealand

Date: [ca 1984]

From: Sheffield House Publications Collection

Reference: PA12-11293

Description: Includes - Dragon and macaw in painted papier mache by Marti Hart. Agate and silver pendant by Jens Hansen. Woven art work by Meg Gibbs. Mural by Cliff Whiting. Two unidentified items of jewelery. Quantity: 13 colour original transparency/ies.

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Photographs relating to crafts in New Zealand

Date: [ca 1984]

From: Sheffield House Publications Collection

Reference: PA12-11294

Description: Includes - Oriental styled mask in wood. Two ornamental forms in greenstone. Studio pottery laid out on a floor. Studio pottery exhibition in unidentified museum. Sculpture exhibition in unidentified museum. Group of hand blown glass. Stained glass window. Neil Hanna at work carving bone. Quantity: 10 colour original transparency/ies.

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Photographs relating to crafts in New Zealand

Date: [1980s]

From: Sheffield House Publications Collection

Reference: PA12-11290

Description: Includes - Oriental styled masks carved in wood. Unidentified jeweler at work. Unidentified woman potter at work. Quantity: 9 colour original transparency/ies.

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Photographs relating to crafts in New Zealand

Date: [ca 1984]

From: Sheffield House Publications Collection

Reference: PA12-11291

Description: Includes - Examples of Ikebana (Japanese flower arrangements) made by New Zealanders. Building interior showing a mural in wood containing circular flower elements. Female torso carved in bone. Student potters practicing at the wheel. Quantity: 9 colour original transparency/ies.

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Photographs of jewelery , stained glass and ikebana

Date: [1980s]

From: Sheffield House Publications Collection

Reference: PA12-11352

Description: New Zealand crafts. Included are - Silver pendants. carved bone. Stained glass window. Ikebana flower arrangements. Quantity: 10 colour original transparency/ies.

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Photographs of studio pottery, stained glass, weaving, and studio glass

Date: [1980s]

From: Sheffield House Publications Collection

Reference: PA123-11353

Description: New Zealand crafts. Included are - Studio pottery. Studio glass. Woven hangings. Weavers at work. Stained glass windows in a church. Quantity: 10 colour original transparency/ies.

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Stained glass windows and font designed by Beverley Shore Bennett

Date: 1969-1995

From: Shore Bennett, Beverley Doris, 1928- :Photographs

Reference: PAColl-9911

Description: Dedication of the font designed by Beverley Shore Bennett, at St Paul's Cathedral, Wellington. Windows designed by Beverley Shore Bennett include - Three windows in St John's Cathedral, Napier, designed in 1995. Rose window in Christ Church Cathedral, Nelason, designed 1973. Cartoon for stained glass window for St Heliers Presbyterian Church, Auckland, ca 1991. Quantity: 4 colour original photographic print(s). 1 b&w original photographic print(s). 1 colour photo-mechanical print(s).

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Record of stained glass windows designed by Beverley Shore Bennett

Date: 1990-1998

From: Shore Bennett, Beverley Doris, 1928- :Photographs

Reference: PA1-f-327

Description: A record of stained glass windows designed by Beverley Shore Bennett from 1990 to 1998. The record includes photographs of the graphic designs for the windows as well as the completed windows. Occasionally there is an entry relating to the craftsmen who made the windows. As well as the buildings in the name record field, windows were also designed for an unamed church in Devonport. In 1969 Beverley Shore Bennett designed the font for St Paul's Cathedral, Wellington. It was as a result of this that the Dean of the time, Walter Hurst, invited her to design the Holm Window for the Cathedral. This was the start of Beverley's career as a designer of ecclesiastical stained glass, a subject she had studied under Frederick Ellis at the Wellington Technical College Art Department in 1946-1947. The window was constructed in the studio of Roy Miller of Dunedin, and Beverley Shore Bennett produced designs for Miller Studios from 1969 until the studio closed in 1987. The craftsman at Miller Studios that made the greatest number of her windows up until its closure, was Paul Hutchins, a Welshman, who joined the firm in 1977. From about 1990 to the early 2000s the crafsman employed on making the windows was Stephen Belange-Taylor, a Royal College of Art London trained stained glass maker, who worked in Britain, France, Canada and the USA as well as New Zealand. Quantity: 1 album(s) Album(s).

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Record of stained glass windows designed by Beverley Shore Bennett

Date: 1969-1974

From: Shore Bennett, Beverley Doris, 1928- :Photographs

Reference: PA1-f-324

Description: A record of stained glass windows designed by Beverley Shore Bennett from 1969 to 1974. The record includes photographs of the graphic designs for the windows as well as the completed windows. Occasionally there is an entry relating to the craftsmen who made the windows. As well as the buildings in the name record field, windows were also designed over this period for a Presbyterian church in Martinborough, a Presbyterian church in Culverton, a church in Waikouaiti Dunedin, a building in Rotorua, and a private house in Dunedin. There is also a photograph of the font that Beverley Shore Bennett designed for Wellington Cathedral in 1969. In 1969 Beverley Shore Bennett designed the font for St Paul's Cathedral, Wellington. It was as a result of this that the Dean of the time, Walter Hurst, invited her to design the Holm Window for the Cathedral. This was the start of Beverley's career as a designer of stained glass, a subject she had studied under Frederick Ellis at the Wellington Technical College Art Department in 1946-1947. The window was constructed in the studio of Roy Miller of Dunedin, and Beverley Shore Bennett produced designs for Miller Studios from 1969 until the studio closed in 1987. The craftsman at Miller Studios that made the greatest number of her windows up until its closure, was Paul Hutchins, a Welshman, who joined the firm in 1977. From about 1990 to the early 2000s the craftsman employed on making the windows was Stephen Belange-Taylor, a Royal College of Art London trained stained glass maker, who worked in Britain, France, Canada, and the USA as well as in New Zealand. Quantity: 1 album(s) Album(s).

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Three applique embroidered panels

Date: 1984

From: Shore Bennett, Beverley Doris, 1928- :Photographs

Reference: PAColl-D-1378

Description: Three applique embroidered panels on the theme of the three kings' visit to the Christ child. Photographed by Sam W Cope in 1984. Quantity: 1 colour original photographic print(s).

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Record of stained glass windows designed by Beverley Shore Bennett

Date: 1982-1987

From: Shore Bennett, Beverley Doris, 1928- :Photographs

Reference: PA1-f-326

Description: A record of stained glass windows designed by Beverley Shore Bennett from 1982 to 1987. The record includes photographs of the graphic designs for the windows as well as the completed windows. Occasionally there is an entry relating to the craftsmen who made the windows. As well as the buildings in the name record field, windows were also designed over this period for private houses in Wellington and Auckland, an Anglican Church in Hunterville, and a chapel in Palmerston North. There are also two embroidered copes (sorts of cloaks). In 1969 Beverley Shore Bennett designed the font for St Paul's Cathedral, Wellington. It was as a result of this that the Dean of the time, Walter Hurst, invited her to design the Holm Window for the Cathedral. This was the start of Beverley's career as a designer of ecclesiastical stained glass, a subject she had studied under Frederick Ellis at the Wellington Technical College Art Department in 1946-1947. The window was constructed in the studio of Roy Miller of Dunedin, and Beverley Shore Bennett produced designs for Miller Studios from 1969 until the studio closed in 1987. The craftsman at Miller Studios that made the greatest number of her windows up until its closure, was Paul Hutchins, a Welshman, who joined the firm in 1977. From about 1990 to the early 2000s the crafsman employed on making the windows was Stephen Belange-Taylor, a Royal College of Art London trained stained glass maker, who worked in Britain, France, Canada and the USA as well as New Zealand. Quantity: 1 album(s) Album(s).

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Record of stained glass windows designed by Beverley Shore Bennett

Date: 1995-2000

From: Shore Bennett, Beverley Doris, 1928- :Photographs

Reference: PA1-f-328

Description: A record of stained glass windows designed by Beverley Shore Bennett from 1995 to 2000. The record includes photographs of the graphic designs for the windows as well as the completed windows. Occasionally there is an entry relating to the craftsmen who made the windows. As well as windows for the churches in the name field, there is also a set of eucharistic vestments and other items for St John's Cathedral, Napier, embroidered with motifs designed by Beverley Shore Bennett. In 1969 Beverley Shore Bennett designed the font for St Paul's Cathedral, Wellington. It was as a result of this that the Dean of the time, Walter Hurst, invited her to design the Holm Window for the Cathedral. This was the start of Beverley's career as a designer of ecclesiastical stained glass, a subject she had studied under Frederick Ellis at the Wellington Technical College Art Department in 1946-1947. The window was constructed in the studio of Roy Miller of Dunedin, and Beverley Shore Bennett produced designs for Miller Studios from 1969 until the studio closed in 1987. The craftsman at Miller Studios that made the greatest number of her windows up until its closure, was Paul Hutchins, a Welshman, who joined the firm in 1977. From about 1990 to the early 2000s the crafsman employed on making the windows was Stephen Belange-Taylor, a Royal College of Art London trained stained glass maker, who worked in Britain, France, Canada and the USA as well as New Zealand. Quantity: 1 album(s) Album(s).

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Record of stained glass windows designed by Beverley Shore Bennett

Date: 1975-1981

From: Shore Bennett, Beverley Doris, 1928- :Photographs

Reference: PA1-f-325

Description: A record of stained glass windows designed by Beverley Shore Bennett from 1975 to 1981. The record includes photographs of the graphic designs for the windows as well as the completed windows. Occasionally there is an entry relating to the craftsmen who made the windows. As well as the buildings in the name record field, windows were also designed over this period for Presbyterian churches in Invercargill, Balclutha and Taire Plain, a church at Scargill Canterbury, a church at Puketapu Hawke's Bay, and a church in Melbourne Australia. In 1969 Beverley Shore Bennett designed the font for St Paul's Cathedral, Wellington. It was as a result of this that the Dean of the time, Walter Hurst, invited her to design the Holm Window for the Cathedral. This was the start of Beverley's career as a designer of ecclesiastical stained glass, a subject she had studied under Frederick Ellis at the Wellington Technical College Art Department in 1946-1947. The window was constructed in the studio of Roy Miller of Dunedin, and Beverley Shore Bennett produced designs for Miller Studios from 1969 until the studio closed in 1987. The craftsman at Miller Studios that made the greatest number of her windows up until its closure, was Paul Hutchins, a Welshman, who joined the firm in 1977. From about 1990 to the early 2000s the crafsman employed on making the windows was Stephen Belange-Taylor, a Royal College of Art London trained stained glass maker, who worked in Britain, France, Canada and the USA as well as New Zealand. Quantity: 1 album(s) Album(s).

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[Ephemera of approximately A4 size concerning crafts in New Zealand collected by Bert R...

Date: 1979

From: Roth, Herbert Otto, 1917-1994: Collected papers, personal papers, photographs and ephemera

Reference: Eph-B-ROTH-Crafts

Description: Flier about protest meeting about sales tax imposed on crafts to be held Auckland Town Hall, 28 June 1979. Poster from the "artists' co-op" for "last month of Sundays" fair on Thorndon Quay [Wellington]. Quantity: 1 folder(s). Physical Description: Typescript cyclostyled and offset print material, sizes varying up to 330 x 220 mm.

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[Miscellaneous ephemera related to selling and advertising of merchandise in retail out...

Date: 1982

Reference: Eph-B-RETAIL-1982-3

Description: Includes: Craft Village [Cuba Street, Wellington]. Re-opening on Fri 5th March 1982. Flier (2 copies) Phillipps & Impey. Home renovator summer specials. [1982]. Catalogue Quantity: 1 folder(s). Physical Description: Offset prints on flyers and booklets, sizes varying up to 330 mm.

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New Zealand and South Seas International Exhibition (1925-1926; Dunedin): [Ephemera. 19...

Date: 1906 - 1907

By: Thomson, John Mansfield, 1926-1999

Reference: Eph-A-EXHIBITION-1925/1926

Description: Includes: Hugh & G K Neill. Panoramic mailing wallet. Panoramic view of the New Zealand and South Seas International Exhibtion 1925-26. New Zealand and South Seas International Exhibition, Dunedin 1925-26. A hand-book to the exhibits of Kempthorne Prosser & Co.'s New Zealand Drug Co. Ltd New Zealand and South Seas International Exhibition, Dunedin 1925-26. Logan Park Dunedin, November 17 1925 to April 1926. Women's section catalogue. New Zealand and South Seas International Exhibition, Dunedin 1925-26. Official souvenir programme. Dunedin, 17 November 1925 (2 copies) New Zealand and South Seas International Exhibition, Dunedin 1925-26. Official daily programme, guide and timetable 4 December 1925. New Zealand and South Seas International Exhibition, Dunedin 1925-26. Official daily programme, guide and timetable 30 December 1925. New Zealand and South Seas International Exhibition, Dunedin 1925-26. Official daily programme: Axeman's carnival, daily time table and band programmes. 6 January 1926. New Zealand and South Seas International Exhibition, Dunedin 1925-26. Official daily programme, guide and timetable 20 January 1926. New Zealand and South Seas International Exhibition, 1925-26. Permit for camera. 6d. Nobel (Australasia) Limited. A brief description together with illustrations of the Company's exhibits in the British Section of the New Zealand and South Seas International Exhibition, November 1925-April 1926. Horrockses, Crewdson & Co. Ltd. How cotton is converted into cloth. New Zealand and South Seas Exhibition Dunedin, 1925-26 Six postcards - see child records for details. Quantity: 1 folder(s). Physical Description: Photolithographs, offset prints, sizes varying up to 240 mm. Provenance: Acquired from various sources, including Constance Kirkcaldie 1987, the estate of John Mansfield Thomson 2000, and A D Mead 2002.