Wide blows our bannerDecember 12th, 2018
The composer Douglas Lilburn (1915-2001) was one of the Alexander Turnbull Library’s major benefactors. As well as helping instigate the Archive of New Zealand Music and donating his personal collection, Lilburn established the Lilburn Trust, which supports New Zealand music with grants, awards, and other initiatives. During the ATL100 centenary period, we will be highlighting collaborations between the Turnbull Library and Lilburn Trust.
Eve de Castro-Robinson referencing Lorde during her 2018 Lilburn Lecture. Photo by Mark Beatty, Alexander Turnbull Library
Lilburn Lecture 2018
On 2 November, Douglas Lilburn’s birthday, 130 people gathered in the National Library’s brand new auditorium to hear acclaimed composer Eve de Castro-Robinson deliver the 2018 Lilburn Lecture. Her talk, entitled ‘Wide Blows Our Banner: How far have women composers in New Zealand come since Suffrage?’, drew on musical examples from Willow Macky, Victoria Kelly, Lorde, and de Castro-Robinson herself, as she reflected on her journey as a composer since the 1980s.
“Is this whiff of old boys' network, toxic masculinity before its time? Is it still around?”, de Castro-Robinson asked. “Yes it sure is, certainly in business, in politics, definitely in the law, and in institutions - universities oh yes, but, much less so I think in composerly circles themselves. We tend to stick together, and support each other, knowing that we're all in the same position. We're competitive of course, it's a creatively perilous business, and we're up for the same commissions and jobs from the same musicians and organisations. It's a tough living, and we all know it. But is it tougher for women composers?”
Eve de Castro-Robinson delivering the 2018 Lilburn Lecture. Photo by Mark Beatty, Alexander Turnbull Library
The vote of thanks for Eve de Castro-Robinson’s lecture was given by Diana Marsh, executive director of SOUNZ. Read the text of her speech here.
The annual Lilburn Lecture has been held since 2013. Previous speakers have been Charles Royal, Jenny McLeod, Chris Bourke, William Dart and Philip Norman. See this page for links to recordings of all previous lectures.
Alexander Turnbull Library curators (left to right), Michael Brown, Barbara Lyon and Keith McEwing with Lilburn Research Fellow Daniel Beban. Photo by Mark Beatty, Alexander Turnbull Library
Lilburn Research Fellow 2019
On 17 May 2018, the Turnbull Library and the Lilburn Trust announced that Daniel Beban had been awarded the prestigious Lilburn Research Fellowship for 2019. Mr Beban formally takes up the Fellowship in late 2018, using it to further his study of the Braille Collective musicians in Wellington. They were a loose grouping of musicians who performed and recorded original and improvised experimental music in the 1980s. Members formed various musical ensembles, including the Primitive Art Group, Six Volts, and Family Mallet, among many others.
A selection of Braille Collective posters, held in the Alexander Turnbull Library. Photo by Mark Beatty, Alexander Turnbull Library
Mr Beban studied ethnomusicology and composition at Victoria University of Wellington, with improvised and experimental music being the focus of much of his subsequent research, writing and radio broadcasting work. His research on the Braille Collective musicians will draw on the Turnbull Library’s extensive collection of their work, contained in the Archive of New Zealand Music. This includes their LP releases, numerous live recordings, posters and other ephemera.
The Lilburn Research Fellowship has been offered on a biennial basis since 2013. See this page for a list of previous recipients.
More about Douglas Lilburn and The Turnbull Library
Detailed information about the composer and the Lilburn Trust: www.douglaslilburn.org
‘A Matter of Trust’: Roger Flury’s article from the Turnbull Library Record (2015) about the Lilburn Trust’s recent history
Photo by Chris Black of Douglas Lilburn (1960s). Ref: PAColl-7737-3-01